Reading in Secret

Flipping through the pages of Salman Rushdie’s “The Enchantress of Florence,” I was on my desk in our working room on the second floor of the apartment on Mapa street when the chimes played again, and I looked up at the yellow balloon that held them; which Ja attached to a cord from the ceiling.
“They’re trying to tell me something,” I thought. A subtle, almost imperceptible breeze from the huge picture window that framed the neighborhood of Mapa outside, tossed the balloon, causing it to turn and make the mysterious sound.
Moved by the playfulness of the wind, I think of Prathibha (simply Prateeh to me), and of those other chimes in Nepal; and my thoughts went back again to that two weeks in July, when we stayed together somewhere in Loyola Heights, a walking distance away from the university, in a room whose windows faced a high wall so that neither air nor light could come in. We only hear the sound of water when we awoke to a heavy rain early in the morning; and in Manila, it rained heavily in the middle of July; once, we had to come to class soaked in dirty brown water that flooded Katipunan Avenue (and I thought, it beat the hell out of the floodwaters in the hinterlands of Mindanao where the Matigsalogs live!), but scared of missing anything in Chay H.’s class, we merely left our clothes to dry as we tackled the ethical dilemmas of blogging, sponsorship, advertisements. We were on the second floor of the Ateneo de Manila’s old Bellarmine Hall. Unlike the other structures in the campus which were new, the building had a special meaning to Chay, our teacher--Chay, herself, pointed out--because it was still the one they used during her college days.
I had arrived at the airport late in the afternoon of a Friday, slightly out of my wits for leaving my boys in Davao, not knowing which part of Esteban Abada I was going, I had to stop the trolley and rip open my bag in the midst of the onrushing crowd at the passenger terminal, to rummage for that notebook where I wrote the number of the house where I was supposed to stay.
Seven. It was a house with a green gate, highly-fenced. A framed certificate on the wall said it was one of the accredited dormitories off campus. The taxi driver tracked it down very near where Esteban Abada met Katipunan in Loyola, where a flyover slowly made its ascent, across the 24 hour convenience store they call the Mini Stop, where Prateeh and I would sometimes drop by for a cup of instant noodles or a styro cup of coffee; and where, on the eve of my departure for home, I had spotted Jaybee smoking near the huddle of tricycles that parked outside the store.
From where we stayed, Prateeh and I would sometimes walk up to the campus gate, connected by a walk bridge somewhere near McDonald’s and Pizza Hut two or three blocs away. It was the walkbridge of my suffering, I told Prateeh, who laughed, because we were thinking of the 2,500 word assignment for Media Law that we had to send online only two hours away. But that was much, much later.
When I arrived at number seven, the woman who met me at the door said I had a Taiwanese woman for a roommate. I was still trying to figure this out because I was expecting to dorm with somebody from Nepal, when Prateeh came in, saying, she was no Taiwanese at all, although she admitted, shyly, she was a little bit fair for Nepalese standard, and we settled for such basic things as where to find food and water, where to find the nearest internet café and for Pratee, where to find the right currency. She kept talking about what it was like to be a journalist in Nepal, working for the Kantipur television, which was actively involved in a broad democratic movement that had forced the king of Nepal to resign.
I said, I was lucky to have Prathibha (she said I would never be able to pronounce her name correctly) for a roommate, first, because her simple joys consisted of a walk in the rain and poetry; she was easily scandalized by the sight of somebody (me) eating corned beef, because she never eat meat at all, a big problem when you’re in Manila, where it was very rare to find a store selling vegetarian food! But she said she loved the Philippines because it never cast her off like a stranger, something that she felt when she was in Europe. Here, everybody mistook her for a Filipina until she opens her mouth, because she speaks the English spoken by the Caucasian sisters, who trained her in Kathmandu and taught her the Hail Mary’s even if she’s a Buddhist.
I love her most for tolerating my infatuation for Salman Rushdie, whose book we found inside the bookstore, sinfully expensive, but which we bought and hid among my pile of dirty clothes to prevent Ja from discovering it when I’m home.
So, when I heard the chimes again in the other room of our Mapa apartment, I asked Ja if someone was playing with the yellow balloon. “It’s only the wind, Ma,” Ja called from the other room. So, I lay there, listening to the windbells, thinking of Prateeh, reading the book in secret, trying to figure out what the wind was trying to say.

Love Notes to Flo

In an airy, open space that served as our function area on Naong beach, just a tricycle ride from Dipolog bus terminal, while listening with horror to Thelma, the Subanen woman from Zamboanga del Norte, recount a motorcycle ride that sliced part of the sole of her right foot because she clipped both her feet on to the burning motorcycle engine when they were about to fall on a cliff, I saw you concealing yourself behind the post.
Someone pointed you out to me. He hides himself with the grace of an antler, I thought. Who could he be?!
Every time I moved, the antler moved gracefully, covering its track, tilting its face from behind a trunk of a dead tree.
From where I was, all I can see was a brown shirt and a backpack. I chased you down the corner to see a glimpse of your face. Finally, you gave in. You came to me asking for the girl we both lost more than 20 years ago.
What do I remember about that girl? A vague memory of her shy, awkward strides, her fears of offending somebody, or of what her friends might say! I can’t even remember her face.
I can remember the university gate where we camped in, the shards of broken glass near the door of the administration building after it was hit by water cannon, the cries of teachers, the squad of soldiers in camouflage and long firearms facing the picketline, the police and their truncheons, the bruises on our arms, the awareness that even an ounce of water, when shot in a trajectory, could also hurt and kill. I can still remember some godforsaken thing she used to wear, the stupid things she used to think, some moments inside the picket line with huge streamers marked “Imlan resign,” few stolen moments at someone else's backdoor grabbing a bite of skyflakes in the midst of a hunger strike, an old black typewriter where we used to type—what? I can’t even remember.
Everything has become a blur, except for the memory of your sweatshirt.
Why do you ask me about what happened to that girl? She might have died so many years ago. She might have been trapped inside the university wall, unable to get out. All I can say is I'm happy to be here--for I am the one who survived!

Is that Kurniawan?!

Yes, I can still remember correctly as we were going down the steps of that old ilustrado house on Calle Real and spotted this old well that reminded me of Maxine Hong Kingston's "No Name Woman," who killed herself by jumping into the family's drinking well. I briefly told Yuri about it before we posed for pictures and argued.
"That's my picture because that's my camera," Yuri said, grinning. "But Yuri," I said, grinning too. "That's also my picture because that's my idea!" "Okay, okay," Yuri said. "Just take my own photo alone, idea or not."
And so, we stood there--me, Prateeh, Yuri, a tiny drop of sun glinting on his nose. I thought we all looked like tadpoles.
But who's that other one? I can still remember Lilik, tinkering with Yuri's camera. But I could almost make out the face of Wawan!

On Campus

So, there. To spare myself nights of agony every time I misplace my flash disk, where this image of San Agustin Church is stored. To spare my partner Yuri of Jakarta's Antara News Agency whose camera I used, the trouble of rummaging through his files again just to retrieve one picture, this picture of an old Church somewhere on Calle Real, somewhere in the walled city of Intramuros, where the whole bunch of MA Journalism fellows went one Sunday in July, as a temporary reprieve from all the assignments and workloads we had on campus at the Asian Center for Journalism of the Ateneo de Manila University.

I’m sorry

These days, I’ve been trying very hard to break free, to force myself to write what I needed to write but an overwhelming sadness always cut me off in mid-sentence. This morning, when it was at its worst, I retreated to the sleeping room and dreamt of a little girl of about ten years old, wearing a pink dress that was already so faded it was already white. She was out on the streets, walking. Her hair was cut short almost like that of a boy. I was looking at her from a broken glass window.
Awake now, I wonder who that little girl was. I did not even see her face but I knew that this sadness that has been threatening to drown me for weeks may have something to do with her.

The Case of an Unhappy Hen

Was it Calvin Trillin who wrote that the best tasting chicken are those raised and allowed to roam freely in the range? One can only taste the sadness of those broilers, who spend their lifetime caged in a chicken coop, deprived of the sun and the taste of freedom, as can be gleaned from the blandness of their soup. I have turned into a very sad, unhappy hen. I'm thinking of ways how to get out of my cage.

Slice of Night

I found myself alone among abandoned files, crumpled towels in a chair, half-opened chicherias, half-opened books, unread newspapers, my favorite coffee mug filled with water. They did not forget to turn off the air con, this time, like they did the other night. I tapped on the keyboard and listened to the whizzing of the electric fan. I could hear the rumblings of distant jeepneys, the scream of a street girl, a whistle of a balut seller. But the hoot of construction workers, the thrashing and grating of metals, the roar of heavy equipment around the skeletal building being built across the street seemed to have stopped. In their place is an engulfing silence. I scooped my pants pocket for coins and kicked off my shoes. I could play DonMcLean in his 30s singing the American Pie over and over until the lizards tilt their heads an inch off the wall, nodding to its rhythm. Or, I could play Gorillaz, over and over, until my eyes get so drowsy, I could hardly open them. I could open my new tarot deck I have kept locked in the drawers and discover ancient wisdom. I could read F. Sionil Jose's "Poon," translated into Tagalog by Lilia F. Antonio when she was in Osaka. But instead, I think of my Ma and how, I have never given her a single gift ever since I was born.

The Magistrate

The grey beard is caked with blood. The lips are crushed and drawn back, the teeth are broken. One eye is rolled back, the other eye-socket is a bloody hole. “Close it up,” I say. The guard bunches the opening together. It falls open. “They say that he hit his head on the wall. What do you think?” He looks at me warily.
---from JM Coetzee’s “Waiting for the Barbarians,” of the magistrate looking at the corpse that bore the marks of torture

The Magistrate's Monologue

“You feel that it is unjust, I know, that you should be punished for having the feelings of a good son. You think you know what is just and what is not. I understand. We all think we know.”
I had no doubt, myself, then, that at each moment each one of us, man, woman, child, perhaps even the poor old horse turning the mill-wheel, knew what was just: all creatures come into the world bringing with them the memory of justice.
“But we live in a world of laws,” I said to my poor prisoner, “a world of the second-best. There is nothing we can do about that. We are fallen creatures. All we can do is to uphold the laws, all of us, without allowing the memory of justice to fade.”
After lecturing him I sentenced him. He accepted the sentence without murmur and his escort marched him away. I remember the uneasy shame I felt on days like that. I would leave the courtroom and return to my apartment and sit in the rocking chair in the dark all evening, without appetite, until it was time to go to bed.
“When some men suffer unjustly,” I said to myself, “it is the fate of those who witness their suffering to suffer the shame of it.”
But the specious consolation of this thought could not comfort me. I toyed more than once with the idea of resigning my post, retiring from public life, buying a small market garden. But then, I thought, someone else will be appointed to bear the shame of office, and nothing will have changed." ---from J.M. Coetzee, “Waiting for the Barbarians

A Glimpse of Tobias Mindernickel

I see Tobias Mindernickel roaming around the streets of Davao. His appearance is just as Thomas Mann had written, "eyecatching, quite odd, indeed ridiculous."
Out on a walk, he hauls his gaunt frame with the help of a cane, no longer up the hill, this time, but in an overpass reeking of urine and rotting garbage. He is no longer dressed in black from head to toe, in fact, he had changed into tattered rags that hang limply on his skeletal frame.
It must have been such a long and arduos journey for him from that small quayside town in Europe.
His mud-hardened hair covers half his face. He stares back at me with that gaunt look in his eyes as he hovers around the rows of stalls selling durian and pirated DVDs.
The sight of his sunken cheeks depresses me. I remember how Prof. Philip Van Peele back in Silliman U had pointed to us that Tobias Mindernickel is a perfect picture of Death.
He is lucky, no children come to tease him now. It's quite too far away from the street of Grauer Weg where he came from. Filipino children hardly know him at all.
Then, I begin to suspect that he is stalking me---or am I stalking him?
"Where is the dog?" I ask as soon as he is off the stairs of the smelly overpass, standing face to face with me on the ground. I am referring to that yellow dog, with one black ear and a black ring around one eye, that he bought from a man in Germany. A picture of sadness and remorse shows in his face. He had named that dog Esau.
"Where is the dog?" I ask again.
He began to sob. He did not reply.
"C'mon, tell me," I said, "What happened to Esau?"
His furious sobbing turn to a loud wail.
"What did you do to your dog?!" I said, loudly, this time, that passersby begin to notice.
Suddenly, he stops and squints a pair of bloodshot eyes at me. I could see sadness, but not guilt, in those eyes, before he scampers away and vanishes from my life forever.

In Search of the Lost Goddess

Some time in the previous months, I got the rare treat of finding my lost goddess in Anita Diamant's "The Red Tent." The whole novel exceeded my wildest expectation, a rewriting of the familiar account of the Bible in the point of view of a woman named Dinah, who--if you get down to it--was a mere footnote on the pages of Genesis. Diamant's book deserved to be talked about, if only because the God of Jakob, Isaac and Abraham, the only God I was borne to believe in and the only God I was made to believe existed, appeared strange and unfamiliar all throughout the book, while the household gods of Rachel, the rituals of the moon goddess and her daughter, the great mother Inanna, became increasingly familiar as I found myself getting drawn towards the lives of Jacob's daughter Dinah and her four mothers Leah, Rachel, Zilpah and Bilhah.
I would read the book again, if only to know the goddesses better; or get intrigued by the goddess ritual of Opening of the womb, as opposed to the display of virgin blood by the groom during the night of the wedding. Or, to rage against the clan of Jacob, against the brothers of Dinah, against patriarchy who regarded (and continue to regard) women as piece of properties to be exchanged or sold in marriage! The book is the Jewish equivalent of Maxine Hong Kingston's "No Name Woman," a story of how a woman's name was erased, the woman forced to live as an outcast, for crossing over to the borders of taboo. I first heard about the book on the Ms magazine's bookshelf, when the book hit the bestsellers' list in 2001 four years after it was published in 1997. The writer Patricia Holt recounted how the book was not really on a big sellers' list in big chain bookstores when it first appeared. It only started to hit the chart when independent booksellers started recommending it to customers. In Davao, you could hardly find a copy of it at the National Bookstore. I found mine somewhere else. Such a pity I only read it now.

On the Road to Monkayo

I feel so tired, body and soul.
Wednesday last week, I journeyed through the night with my boys from Butuan and thought I was perhaps the happiest mother in the whole world, making plans how to spend time with them, but even before I could get them settled in Davao the following morning, I had to leave them with JA to continue their trip to Bansalan while I embarked on a nightmare trip to the town of Monkayo. There, we rode the famous skylab (a motorcycle built with a contraption to allow the two-wheeled vehicle to carry more passengers), and made the daredevil journey to the sitio (subvillage) of Calinogan in barangay Casoon, where the Dibabawuns live.
The contraption was such a crazy structure that sometimes during the trip, passengers seated on it look down to realize they're already sitting on top of a cliff while the motorcycle negotiates a narrow road up the mountain.
It was not just the whole trip that made me so depressed but the nagging feeling that I was trapped. Back in Davao city, we received two PJR Report's copies, where the article on Life as Correspondent appeared and somebody, it was Gra, who said the story was--uhhggh-"inspiring." I felt even more depressed. It was not even half the picture of the life I had seen!

Poem from Paring Bert

A poem from poet-anthropologist-philosopher-Jesuit priest Fr. Albert Alejo. It's interesting to read a more elaborate discussion of his poem here.

Lakbay-Kamay

Ano't tila singlawak
ng lupaing pangarap
itong munti mong kamay
dito, mahal, sa aking palad?

Ang mga ulap sa iyong mga kuko
ang mga bangin sa mga daliri mo
ang manipis na batis ng iyong balahibo
at ang pagpapalit-palit ng panahon
ng init at lamig sa bigla mong pagpisil,
pagbitiw, at pagkapit ng ubod-higpit
sa bawat panaka-naka nating pagtatagpo
na kung bakit laging kailangang patago--
lahat ay tila kawalang hanggang
paano ba lalakbaying pilit
nitong nalulula, at nangingimi kong
mabilisang paghalik.

Little Swiss Shop

On a drizzling afternoon of January, I found myself in a crowd of NGO workers, dancing to the beat of a sacred music under the huge dome of the sky. Three Swiss women led the sacred dance (and I had a sudden wish it were a full moon) but of course, it was not, and it was not really that kind of dance!
The three Swiss women belonged to the women's group Theresa Ladeli (ladeli is the Swiss term for "little shop"), who auctioned unused items in Switzerland to send the proceeds to help poor communities in the Philippines. Later, Daday would tell me how boxes of pencils made in Switzerland and Germany would find their way to Aeta communities in Tapak or how boxes of Swiss knives would sometimes get into the hands of Customs officials who wanted to take some of them as "souvenirs."
Monica Baumann founded the group after the shock of her first visit in the country 16years ago. She has been coming to the Philippines once in every two years to see how far the group's assistance has been going; and this time, she was with two women companions, Lilly Wirz and Anna Rosa Gersbach.
Lilly was upset because she saw a baby died of pesticide poisoning in the midst of a banana plantation in Compostela Valley on the week of their visit. They also went to a house in between the huge tracks of land owned by the Zubiris and another landed family in Bukidnon, where a few months earlier, a nine year old child happened to eat a stolen banana (newly sprayed with insecticides) and died. (Later, I would also read what happened over a year ago to two women workers of a group that Theresa Ladeli was assisting.)
Lilly could not talk to the crowd without bursting into tears. I thought that Ana Rossa did not want to talk, too, because she did not want to show her emotions. But at the end of the program, she delivered this message:
"Maayong Hapon, my dear sisters and brothers," Ana Rossa began. "I say sisters and brothers because you did let me feel at home, you did let me feel being a member of a big family - salamat kaayo!
You gave me the chance to look behind the smile in the faces of the Philippino people and what I saw is more than sad and bad - it's unjust and unhuman.
After all I have experienced these six weeks, the last five and the first three weeks here in Mindanao, I do not go back home the same woman as I was before. I will go home half Swiss and half Filipino (not only because my skin did turn darker) and this half part always wants to come back to you again, because you became part of my life.
It's a privilege to have the choice--as all the people you serve--and this is unjust and unhuman. But you help them, you bring hope, you give all you have --your love--and you risk your life. I admire all of you and thank you for this very precious work. You work as NGO's, you do not go overseas. You have the choice to either work for a big company here and earn bigger money or go abroad but you made your choice to stay in your home country, to stand up for your people, to serve the poor.
On our way back to Davao city, our companion pointed to them a Swiss Deli we passed by on our way to Bajada.
"No, no," Lilly said, vigorously shaking her head. "We don't go looking for Swiss food when we're in Asia, we eat 'real' food," she said. "We eat Swiss food only when we get home and then, we know, that it's for real."
I nodded because I saw her eat with relish boiled eggplant and okra with bagoong that afternoon.

Life of a Gay-sha!

I was asked to do a story on the "Life of Correspondents," by the Philippine Journalism Review (PJR), but to my dismay, no one really wanted to talk to me about it. Bong told me to interview his bureau chief, instead; Esco did not want me to reveal which paper he was writing, Q was upset with his date and became very scarce, and except for Julie in far off Zamboanga city, everybody--from Nash to Jeoffrey to Grace---was silent.
I was lucky to find the gay-sha.
She set our interview inside the newly-opened Peace Café on Juna Subdivision where she was doing an interview with the café owner! Is it possible to interview somebody who is doing an interview? I asked.
But then, I realized this was how impossible the gay-sha was! After waiting for quite a time, while the gay-sha sipped her iced coffee, finished her ice cream, demolished her banana cake without even the courtesy of handing me a fork I could use to help him, peppered the café owner with questions before dismissing her, the gay-sha confronted me.
"So, what are you going to ask?" she asked.
"I don't know," I shrugged. "I don't want to ask anything."
The gay-sha sighed. "Maybe, you give me answers first, before I ask my questions," I continued. She sighed again. "This is an interview where the first question is, what is the question?!"
She understood that she was supposed to tell the story of our lives.
The gay-sha did not complain. In the news, Rep. Prospero Nograles was already voted as the new Speaker of the House and the Inquirer Mindanao Bureau was texting the gay-sha and me to gather the people's reaction about it. Nogie is from Davao, the political archenemy of Davao's tough-talking Dirty Harry. But the gay-sha stayed in her place, a picture of perfect calm. She knew how to act out her role, whether as interviewer or interviewee.
As she started to open her life, which was also our life, I had to wade through a forest of jargons to decode the language of the gay-sha. "You know what I mean," she'd say, "I don't believe in such fracka-fracka, do you understand?"
Of course, I did not understand. But I nodded. "I don't believe in such chuvanesque," she added. The gay-sha wanted to demolish the belief that there was no story worth dying for. "If no story was worth dying for, no story will get written in the first place. We might as well stop writing," the gay-sha raved. Like mad.

Caged Birds

I am no longer a stranger to jails, so, when I went to do a story on Davao city’s newest women prison facility (which, except for the high fence, did not look like a jail at all), I already knew how to strike a conversation with the women inmates.
“Will you talk about your case?!” I asked the woman who took the courage to approach me, the closest link she thought she can get to the outside world.
“Drugs,” she said, smirking. She got caught in a police buy-bust operation, she explained in a Tagalog I did not understand, because she was using the language of the trade.
“And you?!” I asked another woman beside her, “Drugs,” the woman smiled and nodded.
“About 40 per cent of the cases of women inmates here involved drugs,” said the first woman. “Except them,” she pointed to a handsome woman in her forties, whose voice---when she described the new facility as more “hygienic,” “well-ventilated” and less crammed compared to the old one---was that of someone accustomed to giving orders.
Her case was illegal recruitment, the first woman said. There were only eight or 11 of them here in every 40 of us, said the first woman.
The first woman introduced me to the 64-year old woman, with graying hair framing her sad, wrinkled face. The old woman said she was accused of theft, for stealing coconuts from her own land. The land was mortgaged for a pig, a goat and a can of rice for her wedding feast back in the 1950s.
Her husband tried to redeem the mortgage but their neighbor refused. Three years ago, she was harvesting coconuts from an adjacent farm when the coconuts rolled over to her neighbor’s property. She came to retrieve the coconuts but her neighbor accused her of theft.
“I won the case in the barangay and in the lupon,” the woman said, in a voice made stronger and louder by her belief that she was right.
She failed to show up in Court two times after she was summoned for a hearing. She said she was so busy selling vegetables in Bankerohan, she had no time for Court hearings. Her family depended on her, she said. After two Court summons that she largely ignored, the sheriffs came to detain her.
Over a year ago, I saw the insides of a jail for the first time when we paid a visit to Lex Adonis, the Davao broadcaster jailed for libel. The broadcaster was jailed largely because he failed to defend himself in the proceedings. He was tried in absentia. He was the only libel case in the sea of other criminal cases. I remember the first conversations we had with the inmates.
“So, what’s your case?” one of our companions asked the man that Lex Adonis introduced to us. “Murder,” the man replied.
We nodded our heads vigorously to hide our surprise.
“How long have you been here?” one of us, who recovered, asked.
“Seven years,” the man said, “Still waiting for conviction.”
“Seven years!” we chorused, no longer able to hide our surprise.
“What will happen if you get convicted for four years?” one of us asked.
“I don’t know,” the man said. “I’ll just do what they want me to do.”
Everybody reflected on the murder and the man.
“I did not regret it,” said the man, as if he could read our thoughts, “I killed the bastard who raped my daughter.”
We nodded again, slowly this time. The circle around us grew as more prisoners came to join the conversation. Most of their cases were murder, rape, drugs. We listened to another man who told us how he was mistaken for the murderer, after he found himself standing near scene of the crime just when the police were arriving.
I remember what I learned from all the prison movies I watched: Even in jail, no one is guilty. Everyone is innocent.

In Search of Ghosts

“People go in search of ghosts whenever they return, after a long absence, to a place where they once lived,” Philip Roth says, in an interview with New Yorker magazine’s Life and Letters. On the day that I arrived in Cebu after over 15 years of absence, I found myself not only looking for ghosts but also turning into one. (to be continued)

Santo Niño Cathedral

Coffee Break

This morning, as we sipped coffee and exchanged the latest trade gossips, we were surprised to know that two plainclothesmen went to Mindanao Times two days ago, demanding to see the reporter who wrote about the New People's Army statement on the killing of Davao businessman Vicente Ferrazini. They wanted the Davao paper to disclose the source of the information. Amy told them that instead of interfering with the affairs of the newsroom, they should go ask the city mayor, because he knew everything about the case!
Ferrazini, whose family owns the Merco food chain and icecream stores in Davao, was shot by unidentified men on A. Pichon St. (old Magallanes St.) on Saturday, February 2. He died two days later. The New Peoples Army owned up the killing, through a statement emailed to the media. Maybe, those plainclothesmen were not aware yet, how fast information can travel in the age of the internet, so, they went to the Mindanao Times office to ask the reporter how she got the information.
Isn't that a bit threatening? As if, there was an absence of law protecting the media against unnecessary disclosure of information? Republic Act 1477, as lawyers patiently explain to members of the press, provides that editors and newspapers are not compelled to disclose sources of news revealed to them in confidence, except in cases affecting national security.
Or, maybe, the government and military establishments thought the newsrooms as mere extension of their offices...? (photo courtesy of davaotoday)

Portrait of a Journalist

Our Editor's Note

On November 6, 2005, we came out with the maiden issue of Davao Today, which never diminished in value even over time. Maybe, it was because we invested sheer hard work in it; maybe, love's labors were never (and could never be) lost. A click of the mouse sort of brought me back in time, makes me long for the moment when everything was just beginning, when everything was still on the verge of being.

Full Moon over the Bat Caves

On our way to a bat cave on Samal island, I knew that I was destined to see the bats taking their circadian flight with a full moon rising as the backdrop. I simply knew it. It was like the feeling you get when you're playing that game called "mastermind," and you've already figured out the colors and the exact arrangement of the hidden chips. I was very sure of it. The fact that I was switched in between Ja and a passenger next to Barry inside a crowded bus on a ferryboat bound for the island seemed a perfect reason why I should see the bats taking flight on a full moon.
"No, they don't cover the sky like clouds," the American scientist Jim Kennedy patiently explained how the skies look like when the bats start flying, leaving their roost to look for food at night. "They're more like a stream, undulating against the red sky when the sun sets." I did not say anything because I knew the moon will show up for me that night. It was something I can only feel in my gut. Simply because I have faith in the moon when it is at its fullest and that I was there to visit nocturnal creatures like bats, I was sure I'd get to see the two fascinating events happening simultaneously before my eyes.
Even Ja's prediction of rain did not bother me. "You see those rain clouds from the east? No moon would show up tonight," Ja kept saying.
We did not stay long to wait for the moon over the island.
I texted Mrs. Monfort as soon as we got back to Davao, to find out how the sky over Samal looked like when we left. Was it covered with clouds? Was the moon even visible? She replied that at that moment, it was already covered. But earlier, she said, the moon was very big and beautiful.
The Goddess was always known to favour women. I simply knew how the sky will clear to allow me a glimpse of the full moon, when the bats are in flight, if I had only been stubborn enough to stay and wait.
I knew Ja was wrong simply because he's a man.

Falling in Love with Butuan

I never thought I'd ever fall in love with a place like Butuan.
In my good old student days, it looked to me like a person with a shabby character that I had to avoid at all cost as I used to disembark from a boat from Cebu, jostling my way to the crazy Nasipit pier.
But what I used to see of the place then, was just the fleeting view of the pier and the bus terminal on my way home to Davao during the chaos of numerous coming home seasons.
In the previous years, I noticed young girls chatting away their time with bald, potbellied foreign men on their computer screens, in the cubicle next to mine in an internet cafe while I was doing one of those story assignments for Newsbreak.
But these days, Butuan is turning a friendly face to me. It has suddenly, become familiar, like the face of a younger sister.
One Monday, when I walked inside Urios University's highschool department, I felt my heart skipped a bit at the sight of 14 and 15 year olds, cramming for their third grading exams. I crossed the street to the St. Joseph Cathedral to discover the pleasant patterns of light above the altar. I stared at the letters of Fr. Saturnino Urios and Ferdinand Magellan posted on the wall. I sauntered into the dusty basement of Gaisano Butuan, and found old copies of the NewYorker magazines and Antique Journals, haphazardly strewn inside an abandoned box. Before I knew it, I was already coughing my way into the pages on Ramses II's life as Pharaoh of Egypt 3,000 years ago. I completely lost track of time.
Suddenly, Butuan ceased to be a stranger to me. It has become a family member, whose character is a delight to discover.
But I have yet to dig up its most exciting story as an ancient trading port in this part of Asia over a thousand years ago.
I could not make out anything yet of the writings on the wall.
That's why, JA was bewildered when I got back to Davao. "Are you crazy?" he asked. "Everybody hates Spanish so much they were so happy to get rid of it!
But now, you tell me, you want to learn Spanish? What do you want to learn it for?!" He was hysterical. "What has gone into your head? Everyone who speaks Spanish is already dead!"
"I saw letters of dead men on the wall of a cathedral in Butuan," I told him. "They were all written in Spanish. I want to read them."
Thus, I started another form of madness.

Sunny Notes for the Year!

I still want to start the year right, so, I came up with a list of things that make me smile [and keep my soul warm and my heart beating for the rest of the year.]
1. DavaoDiaries [on the bottom five---hahaha!] of the top 100 Mindanao blogs and seeing my friends up ahead.
2. Taking a walk with Sean on the road down the creek.
3. Looking at Karl's drowsy eyes every time he confronts his notebooks.
4. Catching a glimpse of a couple of white egrets, making a courtship dance in the swamps. (This was in October when the egrets were still on the way to Australia. In February, they'll be passing by again on their way to China, or Siberia, or whereever they may have come from.)
5. The rare sight of the Rising Crescent at the strike of the New Year!
6. An old, fat cat snoring on the dining table on drowsy afternoons when Ma is not looking.
7. Topol singing "If I were a Rich Man," as Tevye in "Fiddler on the Roof."
8. Everything about Franz Bardon
9. Antares
10.Pirates of the Caribbean
11. The Three Wizards who followed the star to Bethlehem.
12. Magick
13. A Recipe for Poor Poets
14. All my favorite blogs [and there are millions!]
15. House lizards cocking their heads on the wall to listen to Don McLean's and then, Madonna's "American Pie" on YouTube.
16. The sound of a baby gecko in the farm.
17. The soft, creamy taste of Mandaya Moore-Orlis' cinnamon rolls. (Melts in your hands, not in your mouth, I swear!)
18. Sunrise! (not sunset, take note.)
19. The feel of sands on my feet.
20. Tchaikovsky's Piano Concierto No.1
21. Smell of coffee
22. Waltzib's "Papa's Paklay," and whatever came of it.
23. News from Bosom Friends, near and far!
24. Ceramic Bowls
25. Scent of freshly-cut herbs
26. Laughter (especially Sean's)
27. And Many More
You see, the list is endless. I will never run out of reasons to celebrate!

Happy New Year!

Dasia and I finally got to meet each other yesterday. “You’ve not updated your blog,” she said, glaring at me. “I still read Mariannet--and it’s already New Year!”
“Can you feel it?” I asked her.
She gave me her puzzled look.
“The ground is shaking,” I said. She stopped on her way out the door. She must have been thinking of earthquakes.
“The ground is not solid anymore,” I said, but noticed that the words didn’t sound right to my ears.
“I mean, we’re no longer standing on solid ground,” I corrected myself but that didn’t sound right, either. I was sweating. “Can’t you feel it?! The ground where we’re standing is not solid anymore. It’s so shaky!” I blurted, with a hint of panic, because of my inability to express myself.
As usual, Dasia was still her cool, reliable self. “That’s only because you’re thinking too much about it,” she said.
Actually, I wasn't thinking of anything. I did not tell her I got colds, and that, I've even been having trouble breathing since Christmas.
She paused and noticed my eyes. “Too many dark rings,” she said. “You’re excused tonight.”
She said, she’ll just tell Banana and Mandy that I couldn't make it.
We were supposed to go to The Café, where some time in early December, we saw Tec talking to Batman in another table. We never thought that was the last time we would see Batman alive. He was the fifth journalist to be killed in the Philippines before the turn of the year, the 91st since democracy was restored in 1986, according to the National Union of Journalists of the Philippines (NUJP) list.
In November 2004, he still joined the march for dear friend Geneboyd, the 59th on the list. Urggh, the terror of numbers! Who would have an inkling who'd get to be the 91st?! During that march, Batman was bringing along with him a copy of an article about him on the Mindanao page of the Philippine Daily Inquirer. Batman told JA he decided to frame the article because he considered it an "apex" of his career as a "hardhitting" radioman to get printed on the page.
When I think about this, I often pause and wonder how he would have taken it, to know that he even made it to the front page banner headline nowadays? But, of course, that is such a bad joke. He could not have known!
"Kung mag-inday-inday ka, wa kay madawdaw," he used to say, showing off the old scars he got from an attack he survived over a decade ago. Everybody knew he was identified with a politician. But what was it that he said that got the bullet into his head? Was that bullet intended to silence him?
At The Cafe, we just waved, because all of us at our table were so busy talking about a dizzying range of topics from Mariannet Amper, the Digong-Nogie war and Lex Adonis.
If you happen to live in Davao, you would see the connection.
We were talking about covering disasters and whether or not journalists were at fault at the Manila Pen coverage (because earlier, at the PCIJ training at the Chateau del Mar, Malou Mangahas of PCIJ said, probably, they were!) We never kept track of the time (how could we, with Mandy and Banana around?!) so, the next time we looked up, we saw Tec and Batman waving, turning to go.
Then, in the morning of Christmas Eve, we just became dimly aware of the music from our cellphones, bringing along the message that another journalist was killed.
Brrrh. Is this the way to celebrate New Year?!

The Rape of Mariannet Amper

Mariannet Amper is raped!
She was raped when she was alive, she is raped when she is dead.
Based on the findings of the medico-legal officer of the Regional Crime Laboratory, who did a less-than-two-hours autopsy on the exhumed body of the 12-year-old suicide, there were lacerations on the girl’s private parts that could have suggested rape.
The tough talking mayor Rodrigo Duterte called a criminal investigation on the girl’s death. The police invited the girl’s father and elder brothers for questioning and will subject them to a drug test.
But everybody knows who raped Mariannet Amper.
She was the girl whose suicide rocked the nation because it had put a face to the poverty experienced by the whole country amidst the series of bribery scandals faced by the Arroyo administration. Because her death has become a metaphor, it had not only captured the imagination of people but had turned her into a debate and her body into a battlefield.
The media raped Mariannet Amper. Armed with their camera, they reduced her once quiet life into a commodity for people to consume. Like vultures, they feasted on Mariannet Amper’s death. They came to her house to see how much it has decayed, how its sawali walls crumble at the slightest touch, turning the family’s life, inside out.
By portraying the scandalous image of her poverty on television and forgetting to relate it to the extravagance of the government that should have protected a child like Mariannet, the family of Mariannet Amper was robbed of dignity and humiliated in public.
In life, Mariannet Amper’s illegitimate government raped her.
Mariannet live in a period, when government's penchant to protect foreign interest and the interest of the few had robbed her of her right to a decent life and a secure childhood. Her parents had to eke out a living for the family to survive, leaving Mariannet to confront her own demons alone.
Her government, preoccupied with political survival because of questions of legitimacy, had no time to take into account the conditions of its people, much more of children like Mariannet Amper.
Yes, Mariannet Amper was raped—and the mayor does not have to look very far for the suspects!
He does not have to invite Mariannet’s family, who is still in a state of shock and mourning at the shape that the turn of events has taken. He does not have to exhume the girl’s body from the grave, five days after she was buried; nor invite Mariannet’s father to explain, why it took him five days to tell the police what happened. The medico legal does not have to perform the autopsy in a hurry and become defensive in the eyes of the media, just to get to the bottom of the rape.
For everybody knows who raped Mariannet Amper.
Everyone is guilty of that rape.

Reflections

Once in a while, I get a glimpse of some dark abyss impossible to fathom. The awesome sight gets darker and deeper as the years go by but beholding it only serves to deepen my respect for people who have the courage to make the final plunge and those who choose to remain. It doesn't matter, really, which choice one happens to make because one choice is always as good as the other. In this world of binary opposites, life is almost interchangeable with death, beauty with ugliness, light with darkness, and so on; depending on where you happen to be standing at the moment.

Blogging Mindanao!

I often think of a blog as a kind of a mirror. We see in it our very own reflections, the images we allow the world to see, so that we tend to be fidgety and choosy about it, revealing only parts, instead prying open entire lives, to tell our stories. So, it's not surprising, then, that an online diary often comes out embellished, sanitized, when posted on the worldwide web, so different from those diaries we lock up in our closets at home, those keepers of our most deadly, unhappy secrets; because whether we like it or not, there is still that part of us we hold back; that part of us that remained locked up, that part of us we do not want the world to see.
In the end, I could not help wondering whether that virtual reality we have created in our blogs and in the blogs that we read, is nothing but a mirage.
So, I decided to join the first Mindanao bloggers' summit to find out if the Mindanao bloggers I only meet on cyberspace are also people of flesh and blood, and not made entirely of words. I'd be glad to hear them laugh, talk, chatter, argue, fight each other while we eat, drink, meet new friends, fall in and out of love as fast as we can, get hurt, go home bruised, bloodied and happy, because these are stuffs that real life is made of, the life where the virtual world springs from. I'd like to hear the speakers talk about both the technology and the joys of blogging, the economics of this joy, the identity and identities of this imagined community of bloggers, who seem to closely identify themselves with this hotly-contested geography and political arena called Mindanao.
Thanks to the usual suspects who organize the event and the sponsors:
Join the DigitalFilipino.com Club!, Dimsum Diner,Councilor Peter Laviña, NoKiAHOST.COM P5/day webhosting , BisayaBloggers.com, Davao Food Huntress, Globe Broadband, Act for Peace, Web Design Philippines, Lane Systems, Snap Graphics and Sign, Orange Country, Web Developer Philippines, Eric Clark Su, Swiss Deli Fwendz Diner, Artcom Printing Services and Cubepixels Design Studio. So, see you all at the summit!

Lovers of Light

What's Wrong with the Devil?!

I chanced upon the Devil one day, talking about "the environment" inside an air-conditioned room full of people and I thought he made some sense.
He said something like if the law only worsened the human condition, then we have to ask why that law had been there, in the first place.
He kicked off his slippers under his chair and because I was at his back, I marveled at his unwashed soles as he kept crossing and uncrossing his feet while making his point. Right there and then, I began to like the Devil.
When the talk was over, it was lunch. I happened to fall in line next to the Devil, who turned around half way when he got his plate and saw the identification card on my chest. “Are you from the Philippine Daily Inquirer?” he asked, surprised.
I nodded.
“So, are you going to write about this?” he motioned to the hall where we just came from. “Maybe, yes,” I said, and was about to ask him why but he already turned away, mumbling something I could not make out.
The Devil was very tall, and surprisingly, a Caucasian, but the way his face flushed, I suspected, he must be saying something like, “Be sure you understand what you’re writing about,” or, “I hope you won’t add something to what I said,” or, “Don’t you misquote me, you should not be allowed to write anything here,” or, “No media is supposed to be here!”
Things I used to hear from other similar gatherings before.
It was such a pity that he was already moving away and I could not make out exactly what he said.
I was already seated at the table when a servant sent by the Devil told me to get out because the event was not supposed to be for the media.
So, I got up feeling so stupid, lost my way trying to find the elevator, then, heartily took the stairs down seven floors as I pondered upon the power that betrayed the basic fear and weakness of the Devil! He had the maze of structures to surround him, he had the power to employ (and exploit) people and control their minds—and yet, how pathetically insecure the Devil was! [Anyway, why would someone wall himself up behind horrendous physical and psychological structures if he were not afraid and needed to feel protected, in the first place?]
I came up with several hilarious conclusions about the Devil as I finally reached the last flight of stairs:
The Devil was paranoid.
The Devil was afraid of the media!
Because he was afraid fo the media, the Devil must be very obsessed with his image.
I conjure an image of the Devil looking at himself in the mirror, worrying about his looks! Something must be terribly wrong with the Devil!

Bad Karma

This morning, I set aside my unfinished stories on Ramadan, the Human Security Act, (and many more that I could not mention for fear that doing so might stop me from writing them); I’ve foregone the pleasure of re-reading Jorge Luis Borges’ “The Zahir,” and “The Aleph” (which in the past few days have intoxicated me) or Edwin Mullins’ “The Pilgrimage to Santiago,” which I had started and abandoned a few months ago, or, Starhawk’s “The Spiral Dance,” which I found switched in between the rotten copy of Hendrik Willem Van Loon's "The Life and Times of Rembrandt Van Rijn" and Italo Calvino's "Difficult Loves" on the shelf of an obscure bookshop!
Worst of all, I turned down Dasia’s invitation for coffee--which is very rare, it happens only once in a hundred years!---because I had earlier promised Mandy I will attend that forum for her.
Only to be told---after half a day of listening to the speakers masticate about mining inside an air-conditioned room---that I did not have any business to be in that forum. They invited Mandaya, not me.
I was kicked out, so to speak, by people who did not even bother to explain why my name (instead of Mandy's) appeared on the attendance sheet (and it was not Dava Maguinda, I swear!) and why I had to waste precious hours before they could tell me I was not wanted in the first place!
But okay, it was over and I'm not going to wallow into it!
I was only there “to fulfill an obligation” and did not want to engage in any sort of “intellectual masturbation” about mining and the “indigenous peoples,” anyway, when the “indigenous peoples”(except one) were not even around.
Besides, I don’t really believe that there is some kind of a middle ground on such issues as mining. If you talk about mining and you tell me, we can just pose questions without making any strong statement for or against it--I’d surely feel very uneasy just sitting there, keeping my seat extra-warm without even bothering to ask: Are you deluding yourself? Are you pulling my leg? Or are you fooling the people?
So, I was just too glad to get out of there as fast as I can. They also told me I could not write anything about that forum, something that I never dream of doing so in the first place. For, except perhaps, for lawyer Marvic Leonen, who made perfect sense to me, are they really worth writing about?

Chat with Wahyu

With the recent unrest in Burma and the Burmese military junta's brutal crackdown on pro-democracy protesters, Wahyu, the journalist fellow from Jakarta I wrote about here last year, was all agog.
"Burma monks are now on fire for democracy," Wahyu wrote, obviously agitated, when I chanced upon him in my monitor.
"Yes, I read about it!" I replied.
"You don't want to go there?" he asked.
"No one will pay for my plane ticket," I lied.
"How do you look at the move of Burma monks?" he asked again.
"Will they succeed the way Cardinal Sin succeeded in leading the people power in the Philippines?"
"Sure!" I said. "To speak up against oppression is in keeping with their role as keepers of the soul of Burma! But don't talk to me about Cardinal Sin, Wahyu! He was such a disappointment! The Philippine people power at Edsa was a big disappointment," I said.
"Filipinos want real change, Wahyu, not a show!" I continued. "People power at Edsa was a fake revolution!"
Wahyu was silent for six minutes, so, it was my turn to be agitated. It was also my turn to seethe with fury. Then, all of a sudden, he scribbled again onscreen. "Hahaha!" he laughed, "I don't know why you are very pessimistic! I think the Filipino people power was an inspiring thing for peoples in other Asian countries struggling for democracy."
"Inspiring?!" I asked. "At the moment that it was happening, yes, it was really very inspiring! We looked up to Cory Aquino. We believed in her initial moves to broaden "democratic space." But what's happening now?
Where is the so-called "democratic space?" What happened to Hacienda Luisita, the big landholdings owned by Cory's Cojuangco clan, supposed to be subjected to her most touted land reform program? What happened to the farm workers there? Have the lives of the people improved after democracy was restored? How about the number of journalists and political activists getting killed everyday? How about the silent Martial Law in our midst, the Human Security Act--the law that allows the arrest without warrant of anyone suspected of being a terrorist? Edsa was really a disappointment, Wahyu. Please don't talk to me about it. People around the world who love the idea of the people power that happened in the Philippines more than two decades ago should not only praise and "get inspired" by it but should also study why it failed."
"Well," Wahyu replied, "We always get disappointed by things but I think the Philippines is still the most democratic country in Southeast Asia."
("Democracy, my foot!" I was about to say but I restrained myself!)
"So, what really is democracy, Wahyu?" I asked, instead. "Is it democracy when you are starving because the few who control the country's wealth are enjoying the fruits of your toil and selling your country to foreigners? Is it democracy when you get killed when you ask for a raise in wages because your pay is no longer enough to feed your family? Is it democracy when you'd rather brave being a truck driver and get killed in Iraq than die of starvation at home? Is it democracy when women have to leave their children at home to take care of the children of other people abroad? Is it democracy when you get raped in your own country by a US serviceman, get blamed for it and wake up the next day to find your own government scuttling the condemned criminal out of jail unscathed just to please the US government?!
What really is democracy, Wahyu? Please tell me, Wahyu, please tell me!"

(NOTE: The above photo was sent by Myo Zaw at the height of the September protests that rocked Burma while the Shwe Dagun temple (below it), still looked deserted when Wahyu took this photo during his Burma visit as a Seapa journalist fellow in 2006. Recently, the beautiful temple has turned into a site of riots and protests.

Lost in the Labyrinth

Everything is turning out to be a labyrinth for me these days. I enter and have trouble getting out of conversations, books, journals, blogs, youtube, magazines, diaries, dreams. The world in here is simply too exciting, too beautiful to ignore. I don't mind getting lost in this glorious maze even as another part of me is pulling me out of here, depriving me of the pleasure!

State of Blindness

Just a few weeks ago, on research assignment for Newsbreak magazine, the editors texted that I needed to send my picture while doing the interviews in the remote Davao del Norte town of San Isidro. This request somehow bothered me but I managed to say, yes, and sent them the picture of me with my back to the camera, revealing only a portion of my face. “How can we introduce you to our readers that way?” the editors complained. So, I sent some images of the unphotographable me and shrugged off the uneasiness that I felt. Then, going through the last debris of our home that disintegrated early this year, I came upon what I had written many years ago:

State of Blindness
"May 27, 2004---I consider myself the prodigal daughter of the Light. I am the one who could not be photographed, whose face light could not capture because, as a perennial outcast, I've always been condemned in the dark.
That’s why, I also call myself Zmira al-Zuddah---'al-Zuddah’ was the goddess banned by the Prophet because the Prophet said she meant trouble—-to remind me that long before the male Gods ruled, the Goddesses were already here. But it was in Davao that I first became aware that despite my having been raised in Mindanao, I didn’t know anything about the place and its people. Which could also mean I did not know anything about myself.
I was asked to take a trip to Iligan to interview a former member of the Moro National Liberation Front (whom I wanted to think was a warrior woman), and was slightly shocked (and embarrassed) that the women only stared at me when I said, “Hello.”
Later, while we were talking, a young Maranao guy opened the door and seeing that the woman had a visitor, greeted me, “Assalamu Alaikum.” It was only a year after that I learned about the right reply, so, right there and then, in the face of that young man, I was stunned and didn’t know what to say. I only stared at him---a dark, shockingly handsome young man, so tall that he had to duck his head as he entered the door. I even failed to say “hello.”
On the bus on my way home, I realized that the women who only stared in reply to my greetings did not mean to be rude at all just as I did not mean to be rude to the man who opened the door. Probably, (like me), they just didn’t know what to say.
That day opened my eyes to the gap---the line that divided "them" and "us"---among the people/s in Mindanao. It was eloquently shown by a man, a Christian, I met on the road when he said, “Mag-unsa diay ka sa ilaha, Day? (So, what’s your business with them?)” I was amazed how the man came to recognize me as a "Christian."
The experience left me so shaken that at first, I didn’t want to remember it. Later, in Davao, I found myself riding a jeepney, and sticking my head out to look around, wondered if I can find mosques along the way. I was surprised to see a number of them, sticking out of the shanties near Bankerohan bridge, a grander one at the mini forest Boulevard and a white one in Sirawan. I was puzzled. How come I never saw them before? What kind of eyes did I have?
Then, the realization struck me. I was suffering from what VS Naipaul called---“a state of Un-seeing.” I only see things that my eyes were taught to see—-a mental blindness brought about not only by 400-year colonial rule but also by the kind of education that I had, a paralysis preventing me from seeing my own people.
Another thought struck me: If I failed to see the mosques, which are in themselves, architectural feats, how could I ever see the trees, caves and mountains that are the sacred temples of Mindanao’s non-Islamic tribes?
Thus, started my fascination for the different cultures of Mindanao, which, up to that time, remained invisible to me. Since then, I discovered many things. Leaving behind a loathesome eight-to-five job, I found myself in the midst of a dance of sagayan, a healing ritual performed in one of the war-ravaged communities in Maguindanao, and gradually found myself healed. One day, I found myself talking to a balyan--a woman! a priestess!--and got a glimpse of how she had kept alive her natural spirituality in her dance amidst the stringent Catholicism imposed on her by the Church.
Among the images of beauty I’m beginning to collect in my mind is a white onion-domed mosque in the midst of a green rice-field on the way to Sultan Kudarat. But because of the rampaging war in our midst, these images oftentimes get mixed up with the disturbing sight of military boots trampling down an open mosque in Buliok, Maguindanao and someone sneaking away the sacred Arabic texts inside.
Now, I find it funny to hear people complaining about the absence of ‘colonial Churches’ in Mindanao because (except perhaps for the coastlines of Caraga) this island is perhaps, one of the few places in the country where the Spaniards failed to leave their mark. "

What could not hurt?!

I've been going over and over this disturbing short film "Ignorante" by independent filmmaker Jon Red posted on davaotoday website after it was earlier banned by government censors.

Collecting Ethel?!

"To collect photographs is to collect the world. Movies and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store."
--from Susan Sontag On Photography

The Sadness of Deers

On the walls of Marco Polo hotel's Eagle Bar are petrified figures of deers. Below the one nearest the glass window are the words in bronze: Sable (Hippotragus Niger) taken by Xavier A. Dominguez on 21 August 2005 in Usangu, Tanzania using a Weatherby Mark V bolt action rifle caliber .378 WBY magazine. The window looks out to the driveway that curves towards the hotel entrance. Another one, on the wall near the door, is a Fallow Buck (Dama Dama) taken by Carlos C. Dominguez on 9 March 2006 at the Manuka Point in New Zealand using a Winchester model 70 bolt action 308 caliber. This shot won the hunter a gold award in the European Fallow Deer Estate competition in New Zealand. I keep looking at the eyes of the fallen deers. They are very sad.

Elegy to the Laua-an Forest

Near the boundary of the land, where my Pa has left his imprints in the last 50 years, stands a lone Bunwang tree, known for its softness (a liability in the world that is obsessed with hardwood, the unquenchable demand of which fuel the wholesale devastation of timber forests.)
“It’s the only tree that is left of the logging,” says Pa. “No one wants it because it’s soft.”
“It’s a big tree, with broad leaves,” he keeps saying, as if, until now, he is still amazed by its uselessness. “It’s not durable and it’s not good for furniture,” blurts out Ma, who thinks I merely want a nice bookstand for the books we carried home in a jutesack.
So, I stand there, too stunned to say a word, unsure whether to feel glad or sad, about the lone tree that is left standing because people couldn’t find any use for it.
When my father arrived in this part of Davao from his hometown in Capiz in one of the islands of the Visayas, the forest that would later turn into his copra farm in Upper B’la had been teeming with Laua-ans. Later, these magnificent trees that littered the land for hundreds of years were cut and fed to the sawmills by logging concessionaires who had stripped the land of trees for lumber.
“Over a hundred Laua-ans in every hectare of land,” Pa estimates. “Trunks as big as drums," he says, "Maybe, even bigger. So tall, you have to cut them down many times to make them easier to handle.”
I find it hard to grasp the tragedy that had befallen the forest.
Afterwards, when the land was stripped bare, settlers like my Pa began buying parcels after parcels of land from the Bagobos, and planted them with crops. This is ironic because the Bagobos, whose ancestral land covers much of the Mt. Apo areas that stretch from what is known today as Davao city's Toril district down to the boundaries of North Cotabato, never used to believe in that foreign concept called land ownership.
“They’d sell the land, then, move deeper into the forest,” says my Pa, who thought that the sale of the land was as real as the buy and sell of goods in the market. He bought one parcel from Ayok, Bagobo. He bought another parcel from another Bagobo named Bansalan, and so on.
Again, I was too stunned to say a word, as I try to grasp the complexity of what happened: the betrayal, even the sell-out, of some members of the tribe of their own ancestral beliefs just to extract a measly sum from the equally unsuspecting (albeit ignorant) settlers.
For according to the Bagobo’s worldview, the land is not for sale.
For a Bagobo wise man, it actually sounds stupid and hilarious for a man to claim ownership of a piece of land.
“How could you claim to own the land?” I remember an old Matigsalug Datu named Salumay, explain to me the worldview shared by most indigenous tribes in Mindanao.
"Long after you die, the land remains," said Datu Salumay, “So, how can you be in a position to own something that outlasts you for over a hundred years?”
He used to live in Davao’s Marilog district before he passed away a few years back. Now, I wonder if there are still enough Bagobos who still think like Datu Salumay.
For the coming in of settlers from the Visayas and Luzon had saturated the population of the Moros and the indigenous peoples of Mindanao and had brought about the dying of a totally different culture. Later, wholesale destruction of dipterocarp forests after the World War 2, coincided with the huge demand for lumber exports to Japan and other markets. At the time, the Parity Rights agreement between my country and the United States, had accorded equal rights to Americans and Filipinos in the exploitation of the Philippine forests and other natural resources.
Pa, who arrived in Upper B'la about a decade after the signing of the Parity Rights, gives me a vivid picture of how it was to live in the time of the logging.
“There were no chainsaws, then,” he says, as if to stress a point. “People used axe and the curtador.”
He leads me out of our house in B’la to show me what the curtador (cutter) looks like. As I stand there, trying to reconstruct the devastating event, I can feel my hair bristle, as I watch him draw out the instrument, bequeathed to him by the former cutters, that had once ravaged whole forests.
All that I wanted that morning was a pleasant conversation with my Pa. But I ended up hearing about the wholesale destruction of the land teeming with Guihos, Apitongs, Narras, Dao, Tugas, and other trees, the likes of which, I may not see anymore.

Butuan Sunset

Letter to Malu Fernandez

Business Mirror's editor-in-chief Lourdes M. Fernandez tells the stories of our kababayan.

Goodbye, Grace Paley!

Tonight, the gibbous---no, it's the full moon!---is waxing outside my window when I read about the passing of Grace Paley, five days late. But it's no goodbye to Grace Paley for me.
That broom that she wrote in "An Interest in Life" is forever etched in my memory because it was a broom I knew.
"My husband gave me a broom one Christmas," Virginia, her character, began. "This wasn't right. No one can tell me it was meant kindly."
No one can tell me pointblank, whether life for a woman is really meant kindly. Until writers like Grace Paley started pouring ink onto the pages and spelling out what I was only made to guess at age 33.

Argao's Old Belfry

What did awardwinning writer Ninotchka Rosca say about belfries in her most recent book, "Sugar and Salt," which had Tandang Sora, her heroine, "giving away tidbits of Philippine women's history as 'gifts' to her family and relatives before dying?"
Tandang Sora talked of the Spanish friars trying to convince the natives they called indios, referring to us, instead of the group of people that we actually call bombays, to "build belfries to guard men's bodies and cathedrals to guard men's souls."
The belfries were supposed to "warn the people against pirates and the cathedrals, to warn people against sin." I found Ninotchka's "Sugar and Salt" inside the National Bookstore at Davao city's Gmall after some weekend staring at old cathedrals and belfries in Cebu and remembering how, in the year 2000, I had dragged seven year old Karl from Silliman university elementary school to the old cathedral in Dumaguete and together, we clambered up the belfry to stare at its huge bell.
I remember how my little boy stared at the old bell, with his mouth open, as I marveled at the date etched on one of the walls. Then, when I was about to move further up, I caught sight of abandoned souls sleeping on the dusty floor.
I did not climb the belltower in Argao on the few moments that I managed to escape the city in July to spend some moments there. I did not have the seven-year-old-turned-14, nor his younger brother, to drag along with me.
So, I watched the tower from a distance, noting how the sun struck and cast shadows on its stone walls. Except for one or two devotees who came to light candles, the whole place often looked deserted the few times I was around.

Kadayawan sa Dabaw!

Reminders

Every step of the way, everything that I see reminds me of my boys. A friend talking of her 14-year-old daughter makes me long for my own 14-year-old Karl, living in a topsy-turvy room with another boy and his guitar, 500 hundred kilometers away from me. Just thinking of him talking to people I don't even know makes me feel very uneasy. The chocolate cake that Che and I just tasted reminds me of Sean, 6. So are the sight of apples along the sidewalks, the pistacchios and cashews on the store windows, the smell of towels, the sight of children, teachers and the fact that I am not doing the groceries anymore.
I don't look up when I hear fathers comparing notes about their kids, even if I hear from them the echoes of what JA used to say: "This boy would never come to me when his mother is around. I don't know what she has that I don't have," says one father. At times, I catch an officemate saying she would rather hang herself the moment she could no longer live with her kids.
But I have killed myself long ago. Every time I turn that corner near The Venue on my way to the Gmall, I long to open my heart to strangers, to show how deep it is bleeding. But a heart is not something you could "unbutton" in the middle of the street, so, I keep on plodding, while everything inside me, disintegrates. I am now a living dead.

No Exit

"Do people ever sleep there?" the taxi driver asked, pointing to the boxlike structure where I came from. "That building has always been alive until morning," he observed.
"The newspaper never sleeps," I said, explaining. At that hour, the production people were  still about to take their turn printing tomorrow's newspaper. The editors--I work as a copy editor, so, me included-- had just closed and approved the pages.  They had to see to it that they were there when they the page closed to ensure that everything that came out passed under editorial scrutiny.
"But people need sleep," he said. "Who goes there in the morning?"
"After the production people finish printing," I continued, "The newsboys come in at dawn to get the papers and deliver them to the newsstands. Sometimes, they also deliver the papers right at the subscribers' doorsteps. At eight, the business and advertising people come. So, are other office workers, like the editorial assistants, in the newsroom. The day desk editors also come in to see to it that reporters pursue the latest news stories for the day. In the afternoon and towards the evening, the reporters start trickling in to write their stories. Then, afterwards, it's editing time all over again."
It was already half past 12 in the morning when I talked to the taxi driver on my way home. Late in the morning, I went to the laundromat and watched the washing machine, and then, the dryer, spin. "The newspaper is one huge machine," I couldn't help mumbling.
The man running the laundromat who kept asking where I worked, looked up.
"Well, I work for a huge machine that never stops churning," I said, and marveled at the irony of my words. I thought, "I don't think I could ever serve a machine, no matter how big."
Then, I started dreaming of going to a far flung place where no machine could ever reach me. Instead, I conjured images of the remote mountains of Mindanao, where the machines were more deadly. People getting killed by another type of machines---the machine guns--right in the places where they lived.
With the Human Security Act, policies that cater to the World Bank and the global capitalist system, debt servicing, the deregulation of everything, privatization even of health services and more, even governments can be deadly killer machines.
Societies, civilisation  are machines that demand subjection from everyone within reach. Even the groups fighting for change have to invent their own "machine." 
Probably, in this life, there's no escaping from the rule of the machine. But isn't it terribly sad?