Sunrise Breaking

This picture, taken when sunrise was breaking beyond the veranda of our home in B'la outlining the leaves of the Song of India, makes me think of my Pa. 
At the height of his ailment - those long uncertain months after his first hospital stay when we deemed it good to let him stay in the city - I used to leave Davao City at dawn to go to Bansalan to oversee the weighing of copra.  I was so insecure about the whole proceeding because: first, I didn't even know how to read the weighing scales used by the Chinese merchants to weigh sacks and sacks of our produce, so, you can imagine how strained I was, standing there, pretending to understand, when all the while, I was feeling like an idiot (of course, this did not last long because Pamela Chua, a Tsinay from Binondo, whispered to me the secret code--okay, this part is purely isturyang hubog, see, I put it inside the parenthesis?!); second, there was no one in the family overseeing the workers in the farm, which actually meant, we are slowly, gradually but surely, losing control of things over there.  So, to calm my nerves, I used to leave Davao City too early, when everyone else was still snoring;  to see to it that I arrived at the house at dawn so that I had enough time to be at the farm at 6 am, when everybody least expected me.  This would allow some time for me to get to know the people and to observe what was going on in the farm (though, I hardly had two hours to do all these).  During those months, I had studied the proceedings of the farm and studied the people there just like the way I read my books.  [Of course, I eventually developed a grasp of the politics and economics of the place, developed a feel of whom to trust and whom to be wary, honed my skills to read people's hearts and people's intentions; but I admit that up to now, I still can't tell a coconut ready for harvest  from a buko or a banana!  Uh-okay, I can tell a banana, but to tell a mature coconut fruit ready for harvest from a buko continues to be a puzzle to my untrained eyes! To compensate for this, however, I knew someone I can trust who can tell the difference.] 
Once, I overshot my target hour of arrival in Bansalan and had left Davao City at 2 am, which was rather too early. I arrived home when it was still dark and drank the loneliness of the house. I went to the upper bedroom and saw Pa's things and shirts scattered in different places in our frantic search for things to bring that day we left for the hospital. I felt this searing pain as I saw the pillow where Pa's head used to lie, the old Bisaya magazines he used to thumb through and had left in the corner, still half-folded; the glass, still half-full of water, where he drank that night, before he was seized by the pain which made him say, "Dios ko, Dios ko, Gino-o," as he made the sign of the cross; which made me send a text message to my sisters, "It must really be painful because I've never ever heard him say, Dios ko, before;" which made my sisters, hundreds of kilometers away, race for home days after. 
Still, I can't forget the sight: his slippers which were scattered in different directions, the discarded clothes, the poor state of his old shoes, worn, weather-beaten, gathering dust in a cordizo;  and even the dusty nito basket hooked to a nail on the wall, where he kept his documents.   

Why can't we just shut the door and only allow our dearest ones to enter?

The funeral did not really allow me enough room to mourn and grieve for my Pa.  There were so many people around; most of them someone I knew from childhood, but not all of them were offering a word of comfort. Some were there only to measure you and be critical of who you are. Some were really so tactless and mean that instead of consoling us in  times of grief, they only succeeded in upsetting me, and taking me away from thoughts of my Pa. For instance, there was this guy, who was so rude, he said I must have been so old by now because I was already far ahead in school when he and Eve were still in Grade One. Of course, he was Eve's barcada. "Day, ikaw ba, tiguwang na jud ka kaayo karun, Day, no, kay Inday na man ka daan atong naa mi sa Grade One ni Eve?" he asked. Of course, I told him, Hoy, I was far ahead of you because I was very young when I entered school! I was a visitor at age 5 but I was good enough to pass Grade One. (I should have told the guy this: I bet, you were still struggling to read your first alphabets at a very late age, while I only breezed through it at 5! But I was not quick enough to say that!)
Recalling it now, I realized, I was not quick enough to shoot back my killer one-liner (the way I used to) because I kept telling myself I was in my father's funeral and I had to be very careful not to make a scene with tactless and unwelcome visitors!  There was another guy, who was already drunk and started making some statements about the eldest daughter, because he mistook me for the youngest.  But our youngest sister said,  "Ah, she's always mistaken as the youngest," which immediately alerted the guy. I was curious what that drunkard was about to say about me before he was stopped by his companions.  Was he going to blurt out something about my political beliefs? Or why I hadn't married?! 
Then, the wake was really a wake, because it forced you to stay awake, even if your body was already crumbling for lack of sleep.  I had to get along with some people, including the driver who told me pointblank in between gulps of Fundador, I should be ashamed of myself because at my age, I still don't have a house and a car, I should strive to have one! As if those were all that mattered in the world. [But maybe, he was right?!] I told the foolish fellow those were not the things that I treasure most. What I treasure most are things that people like him could not see. But the guy was so stupid to even understand a word of what I was saying. 
Except for some kindred souls--like the two women friends from the Seventh Day Adventist, who offered me some beautiful verses to light up the dark moments of grief (and surprisingly, they belong to another religious sect and only came to pay their respect), most of the people at the funeral really upset me.  I was wondering why can't we just make the funeral a private affair?  Why not shut the door and only allow those closed to us to enter?

Moments

Things really happen so fast these days, but not really that fast, because I'm sure, I've been given sufficient signs and sufficient warnings of what lays ahead. On May 1, I was asked to go to Taiwan in a spur of the moment and while walking along Chino Roces with Pam before my trip, I had told Pam over and over again I had wanted to go to Butuan to visit my Pa but how can I do it? It's so difficult for me to do it because of something. Did I tell Pam I was not on speaking terms with my sister? Do it, she said. You have to do it. But I can't. I still can't. Why? she asked. Because. Pam said, Do it. I said, maybe, I should talk with my Pa in other ways, through the mind, perhaps, or through dreams because it's very difficult for me to go there, Pa, you know.  So, on the eve of June 1 when Eve called, she said I would no longer make it. I booked a ticket to Butuan to catch up with my Pa, who had been bedridden there for about eight months and people said he was waiting for me.  When I saw him, I could not almost recognize him. His face had assumed the face of my grandmother, who was so fair and pretty, and his hair has gone long and white. Pa, nia na si Ate, Pa, said Eve from the door. Did I see a flicker of recognition on his closed eyelids? 
Oh, if you only knew the weight of those final moments.

View from my window on Zhongshan Street

I'm still sick so that excuses me from writing.

Break the ice, will you?!

I just finished all the four articles from Taipei and sent everything online except the pictures (which I fear I don't have) and so, I am posting this as an ice-breaker.  This picture reminds me that I never got to meet some ordinary folks in Taiwan when I went there the past six days.  Of course, I met some of them at the train station when we were heading to Hsinchu, a city about an hour south of Taipei; or, maybe, even our  Mofa friend Jack Li, who accompanied us throughout the tour; that is, if he considered himself just like another Taiwanese. But all I can think of were those folks at the train station. They were seated at the waiting area, some of them might have been pissed off with me for taking lots of pictures, but when I looked at this photograph in my photo file and saw these motorcycle-riding men, I realized that I never really got to meet some people in Taiwan.  We were shuttled around from one place to another to meet and interview the Ministers, and on the fifth day, we met the President at the Presidential Palace. Which was not really a good experience for me because I was the only one not wearing a suit. I left it in the Philippines in a hurry to leave Makati. I know that the office will kill me if they learn about this--which they might, when they see our picture with the President. Depending on how you look at it, it might be regarded as a breach of protocol, which it is. So, I cringe. I don't want to remember my trip to Taipei because I was the only one not wearing a suit when we met the President, and everyone was wearing their best, but I merely treated it as another day in the office, where I frequently told Lyca, no, it's not important what you wear there as long as your English grammar is perfect.  Now, I learned my lesson. What you wear is important, damnit! Maybe, I should not let anyone read this.  I should make the font so tiny so that no one could read. This is embarrassing!

Selfie

Lyca, April and I went to the Century Mall to watch Emma Watson's performance in the Beauty and the Beast but were flustered when we found out the movie house  already ran out of tickets.   Deeply let down, we ambled about the building, taking as much selfies as we can.

Setting sight on something

How the sky looked like the last time I went home

Happy Easter!

I've been holed inside my room for the entire duration of the Lenten break, so, I missed all the observance of the Passion here, which, based on the telltale signs I kept seeing on the streets on the days leading up to it, has been passionately marked by the community where I live. Still, I sat here deeply engrossed in my reading through out the Holy Week until this morning, when I happened to wake up late to find it's a Happy Easter, and I'd like to greet everyone out there, sending this image of the old the old belfry of the church of the Lady of the Abandoned, and its amazing stained glass windows, which have fascinated me since the first time I entered the church's dark cavernous hall alone.

Hunt for vegan food

I discovered this vegetarian outlet at the heart of Makati but I will only tell you about it later.

Postpartum reflection

I feel so devastated after that long-distance chat with my boy. It had started well, actually, but towards the end, he had been passing judgment on me quite unfairly about the choices I made in my life, without asking me how and why I made those choices. It hurt terribly. But in retrospect, I realized, who were the people who had been judging me that way and it was not my boy. So, I suspected, he just caught that narrative from someone else, just a whiff of an idea, which germinated and came out of his mouth as his own. That's the trouble with long-distance conversations, you only have such a next-to-nothing chance of getting heard, or having some points clarified, you could not even trace how and why he had said such things. I can glean from his lines that he had some issues with me, which had never been there before, well, it must have been the fertile ground for that wicked idea from wicked people to germinate. It puzzled me for a while until I realized where he had been to recently. He accused me of so many things, including perhaps, [because this was not said outwardly, but in between lines] blaming me for his difficult childhood. (Sigh). Life, of course, had not really been that easy for both of us and I had really tried to make it easier for him, though, my best was not really that good enough. But I still think I was not to blame. You know who was to blame. How could I ever make people understand when people can't even open their eyes? They're deaf and blind! 
So, well-what do you expect? He just came back from a visit to his father, so, are you still surprised? They always blame the women for all the effing wrong that happened to their lives, don't they?  Even if it was the women who did all the dirty work for them.
Yet, to hear those things from your own son. I was so disturbed, I did not write anything the whole day.  I was just staring in space and closing my eyes to feel which part of my body hurt the most. 

Open Air Altar

Just after the Jones Bridge, as you head toward Binondo's Santa Cruz church, tucked somewhere in between the highway's chaotic traffic flow, lies a miraculously tiny piece of land that holds this oasis of faith.

Prayers by the roadside

It's Maundy Thursday, the start of the long Lenten break, which for someone working the kind of work that we do, would be the only long holiday open for us for the rest of the year.  That's why, everyone was so excited as we rushed out to help put to bed the newspaper copy last night. Everyone trying his best to keep his cool, to keep his/her mind in focus because the spirit was already rushing out the door, getting inside the elevator in a hurry to get out of the building fast to the life of untrammeled joy and freedom outside.
I merely stayed in my place. I was thinking if I had only bought that ticket, maybe, I would also be rushing home, too. Rushing to the airport to catch the plane to where the heart belongs. But I did not have such a ticket.  So, all I have is the long hours of reading and writing open for me for the long weekend.
When I reached our street, it was already 9 pm, and the vehicle I was riding could no longer get inside because the neighbors had already set up tents outside their homes--yes, tents along the roadsides, and I thought,  is this another vigil for another funeral?  But no. The tent was only for the gathering of people for the prayers to the Jesus of Nazarene,  the cross-carrying image of Christ. I was amazed by the people's observance of the Passion here. It also reminds me how, a year ago, back home in B'la, while Pa was struggling with his ailment, and I still languished in bed to recover from the previous night's late sleep, Ja tried to shake me awake because the procession was already passing by the house. He said the procession was an amazing sight, I should see it, I should at least photograph it. "I thought you wanted to be a real, hardnosed photographer? What kind of a photographer are you? You lie there sleeping while a beautiful event passes you by!" I got the mouthful from Ja while I flitted in and out of dreamland.
When I managed to get up, I only caught the tail of the procession at the end of the road, and I saw an open air altar by the roadside.  Ja shrugged.  But the sight of an open air altar amazed me because it reminded me of the pagan ways. It reminded me of some faraway Greek altars when the world was young. It also reminded me of
the Bagobo altar tambara. I loved that concept of an altar because it lays itself bare and open to the elements. Most of all, it opens itself up to the skies.

Trying to blog

It took a while for me to write again because of what happened the previous month or so, when I was trying to clean up my ancient beleaguered laptop. I had unwittingly deleted the software that allowed it to detect wifi for me to access the internet.  Which explained my long absence
from this blog.
But last Monday, when the screen of the old laptop started to flicker and die, and I could no longer write even a simple journal, I began contemplating the long barren days ahead and decided that the prospect of not writing for a long time was not simply unbearable, it was unacceptable. So, I put my foot down and allowed myself to drift inside the Glorietta to get the cheapest possible laptop that my last sinsilyo can buy.
This was how I managed to return here. I'm still getting used to this new laptop, which keyboard feels strange and unfriendly, the font on the screen still feel rather painful to the eyes.  
I think that getting used to this new laptop is just akin to getting used to a new job.  Painful at first but later on, you'll get used to it.  You still feel so unfamiliar navigating the new territory psychologically as well as physically, at first, but soon, I promise, you'll get used to it.  I've already been here for over five months and going.
Back to this new machine: the port of my old card reader, which was still functional in my old laptop, no longer works here, so, I might have to run back to the mall again one of these days to hunt for a new one.
I still long for the familiarity of old things, such us my old laptop, but soon, I'll move on to more exciting things up ahead.

Thinking of the Cats

When I came home last month, I was glad that some cats still managed to survive without me, thanks to the care of T. I was glad to greet Muffin when she came home very late from where ever it was in the neighborhood she was roaming.  But it’s only now, when I’m back here in Makati, that I realized I never really had the chance to go nearer and talk to the cats. 

Muffin, like most of the cats at home, had gone feral, anyway, so it was not a good idea to cuddle her. The last time I cuddled Muffin, she bit my hands, thinking perhaps it was part of the play.  She wasn’t aware that I was not a cat. But looking back now, I could have at least talked to Muffin. I could have at least watched her beautiful eyes, which reminded me of the   eyes of a priest or a general, the bright yellow discs in the midst of a pitch black fur that earned her the moniker, Batman Cat.

Now, I'm missing her.  
My mind was preoccupied with everything on my short stay home.  It was full of Upper B’la and its depressing condition. 
I was also moping over the loss of Oreo, who failed to return home weeks before my arrival. Titing told me Oreo failed to return home a week before her sister-in-law poisoned Titing’s cat and the cats in the neighborhood. I’m wondering if Oreo happened to wander in their area, as cats often do, and had unwittingly eaten the poisoned food they had prepared.

Oreo was a good cat. Three days before Pope Francis arrived in Manila, some boys had left three kittens at the door of the Inquirer office in Davao. That afternoon, some “rugby boys” were rounded up by the police and I was sad because those might be the boys I caught feeding the kittens.  
Isn't it the height of cruelty for the police to round up the boys who had the heart to feed the cats? Some school girls from Kapitan Tomas eventually found the cats, and one fetched a carton box to bring them home during dismissal time, but minutes after she was off carrying the carton of cats, we saw an angry woman accompanying her, furiously asking her to put the kittens back to where she picked them up.  We saw them at our office door. The angry mother said her daughter cannot keep the cats because she had asthma, but I did not believe her.

Three days before Pope Francis talked about mercy and compassion, I carried the three noisy kittens in a jeepney and realized you can actually tell the character of people by the way they treat a cat.  A woman who sat beside me, I eventually learned, had thrown numerous kittens in rivers and across Samal Island. The young guy across my seat found the kitten yucky though he did not want to show it.  But a skinny, middle aged man, gently called the cats, Miiing, Miiing.

Among the three cats, the yellow one we later called HenriMatisse was the survivor, for he voraciously ate the giniling I bought from the store to feed them; then, the black one we later called Oreo, awoke from her carton slumber and joined the yellow one.  The one who did not take interest in food, and which I initially thought was dying, was the grey kitten we later called Eponine.

Eponine, who proved to be the most intelligent among the three, did not survive when he was hit by a slamming door during a Low Pressure Area (LPA) wind in February 2015.  HenriMatisse, the cutest and the most human among the three, I left alone in B’la at the height of Pa’s ailment in Davao.  I always get this image of him, sniffing Oreo inside the catbag, trying to help Oreo out. I should have put him inside the bag, too, but I realized he’s been surviving well in the village, and bringing him along might disrupt the good adjustment he was having in the place. So, I carried Oreo all the way back to Davao, where Oreo pissed on my pants when we reached R. Castillo. I never found HenriMatisse after that and I've been aching for a yellow cat with an L-shaped tail ever since, that cat who once glided the terrace of a neighbor, perked his ears when he saw me, and had bounded the whole neighborhood distance in three leaps when I called his name.

Ja described Oreo as a cat no one could ever love, except me.  In fact, it was because Oreo was that kind of cat that precisely drew her to me.  But Ja was only looking at the color of the cat, which was black, with irregular splotches of yellow in between.  The yellow spots above her eyes made Ja want to get his black pentel pen to cover the spots with black paint.  But Oreo, just like the other cats, is endowed with grace of movement and an elegance innate to all cats.  She was also full of cat wisdom and intelligence. She became pregnant months after the Pope’s visit and triggered a cat population explosion in our struggling household.  What was funny and amazing about Oreo was she never mind feeding three generations of kittens on her breast at the same time, even if her milk was already drying out. 

This simple tribute is not enough to describe such a great cat as Oreo.

To Greet the Rooster!

I just can't get over the idea of Pam's herb garden on the 14th floor, where I spent the New Year hiding inside her room. As I thank the Monkey for an exhilarating year, I make friends with the Rooster to make this year a happier, healthier, more magickal one; but please, let us all survive this year, Rooster!  Give us your wisdom, your discernment, your talent; especially your unique way of turning up something when normally other creatures can't see anything! Give us that power to look and to see and to find the way out of anything that could constrain or oppress us.

Happier Times with Muffin

Yes, of course, but not really. Its properties showed that the picture was taken on December 31, 2015, no longer a happy time for the family but a really difficult and trying time. But it was quite a holiday for Muffin, who found the empty chocolate cake box a perfect place to rest.  She still had a lot of food to eat at that time, even if Pa, sick and bedridden, occupied all our attention. But eventually, Pa had to be rushed to the hospital, then, Eve moved him to the city, leaving the house empty most of the time; and Muffin and the rest of the cats pining for survival, except for Titing who continued to feed them! Now, I'm suddenly here in another part of the country, quite too far away. When can I ever go home to feed the cats?

White Abundant Light for Pa

I'm here on the second floor of this crowded fast food chain at a table directly facing the stairway, so that all the customers carrying their food-laden trays had to make eye-contact with me before they turn to the rows of tables to my left and eat in peace.  But it's very cozy here, a place conducive to writing (at least, to me), with a white ceiling light beaming directly above me and falling gloriously down upon my table. I plan to spend an hour or two here because I was told we have visitors at home and I don't feel like meeting people now that I'm fiercely craving to write--it's maddening, this desire to write is like demons to be appeased, you have to satisfy them because if you don't, you'd either die, get sick or go mad--but I don't expect anyone who has never experienced that to ever understand.
But the way the light falls upon my notebook page on this table reminds me of the white light at the hospital room where Pa used to spend time during his ailment. That was before the sisters whisked him off to Butuan with Ma. 
It was the largest and the most comfortable room in our hometown hospital, designed by a renowned architect who was the owner's son, with windows from floor to ceiling, and overlooking McArthur highway, where you can see buses, trucks and jeepneys on their way to Davao or Cotabato or the smaller towns in between.
The room, if you'd care to know, does not make you think of a hospital at all, with its abundance of light, and its plenitude of space, its tasteful curtains, which you can whisk away if you want to see the view, or whisk back if you don't, because you prefer the subdued light that can make you rest and relax.
The nurses, when they find you, are not as snotty there as they might be in the other rooms; they might even be a lot friendlier!  Pa and Ma and I were sitting there, looking out as we awaited the sisters coming home from Butuan the day Pa's ailment seemed to be at its worst and Pa, who was suddenly amiable and meek as a child, had been calling the name of his mother, in between moans of pain, in between the state of waking and unwaking.

Like Life Itself

It's the stairway I climb everyday. Just like life itself, it goes round and round and round in a never ending spiral. 
Yet, every time I climb it in the morning, I don't actually see it the way I'm seeing it now.  In the morning, I take it only one step at a time. All I see are the nearest steps before me, and the rails leading me to a slowly curving ascent, so slight and so gradual that I almost could not feel it. It's only upon looking down from the nth floor above that I get a glimpse of its shape below. Just like the series of days and nights that eventually form the seasons, and the seasons that gather into a year and the years that eventually form a lifetime, we hardly perceive them at first until we've gone a long way and we start looking back.

Dawn Mass

On the first day of the Misa de Gallo, I succeeded in dragging Nanay V. to hear the dawn mass at the Santa Ana church, which was quite far, but not too far from where we live in Makati. It was still dark when we arrived. The mass had not started yet but most of the seats in front, where I can get an almost magical view of the altar, were already occupied. Nanay dragged me to one of the last remaining seats at the back, where we managed to sneak our not so tiny bodies in a crowded pew. The church, old as it is, is rather small by modern standard, but look at its design and architecture! Think about how, at the height of the bombardment in Manila in the second world war, a mass of people had once flocked into this church to seek refuge. Outside, the statue of the Lady of the Abandoned beckoned.
How  I came to live here and knew about this church was a series of serendipitous encounters.  In 2011, I came upon a Palanca-winning essay about life in an old horserace track before the property owner finally caved in to the pressures of development. I set aside that essay for a while and moved on with my life until late this year, when I was called to work here.  Trying to figure out where and how I'd live, I traced the map with my fingers, ignoring Ja's voice behind me telling me I'd be living very near the old race track in Makati. Ja used to know the capital like the palm of his hand. Long after I arrived and already sleeping in my room, I can still hear Ja's voice faintly reverberating in my ears but I continued to ignore it. 
Until one day,  diligently thumbing through the stories in the Arts and Letters section, I was drawn to a particular story which had caught my eye.  It was a book of the author who wrote about the old race track! I started reading and came upon the old church on the Old Panaderos Street.
Days later, I came to meet an old timer who, as a young journalist, used to haunt the old race track for stories and who personally knew the writer of the old race track herself! 
We had dinner at the Makati Circuit, site of the old race track! Sometimes, when I think about these serendipitous encounters, I feel some magical forces working. I did not come here entirely on my own.  

Grieving over my SLR D5200

In deep anguish, I asked Ja why do people who are so uncaring, so loose, so irresponsible, who never gave their cameras a shit because they were always out there having a drink or chasing their  reluctant lovers, these kind of people, why were they spared? Why did it have to be my camera that the little devil had to pick up and hurl over his sister? I have taken cared of it since I had it in my hands.  I have always protected it, though, in this room, there was hardly any space for me; no space at all for anything so precious. For it was the not just a camera to me, it was a window to the world.  I used it to capture Life, which was often drab and dull and full of insurmountable odds. Life became more bearable because of it. 
But why did it have to be destroyed? And in such an absurd way? By a stupid kid who just barged into our room, thinking our room was a playground, and in the usual spat with his sister, suddenly climbed up to my deck and hurled my equipment to her? 
"It’s one of life’s greatest ironies," Ja replied.  "It makes me seethe with fury," he added, to comfort me.

Still, I’m bringing this question to God. Why does it have to  be me? Why?!

Dear Karl and Sean

I'm in the city of stone carabaos. I realized this as soon as I saw the beautiful creatures lining here in front of me, black as charcoal, not the muddy black of real carabaos we passed by the rice fields in Kialeg, but dark-night black, the whole clan of them, from baby carabaos to mother carabaos, artistically rendered, slim and shapely and in style in a garden fronting the bookstore, where I walked a good seven kilometers to find.  Walking for me here is an art of reclaiming the space I have lost, and the sight of stone carabaos reminds me of the flock I once had a glimpse of, as I was passing by Liguasan Marsh on my way home from a coverage. I saw a flock of 10 to 20 of them, all working carabaos and all of the same size, looking small against the expanse of the Marsh landscape.  It was the peak of the planting season and the scene was something that Ja would have described as a  David Lean's rendition of a landscape. I was in a bus.  I haven't seen a flock of carabaos that many occupying the same landscape before, that's why, it fascinated me.  
In the rice fields of Kialeg, only one or two carabaos can be seen at a given time, no matter how the town boasts of itself as the province's rice granary.  But we, too, do not live in Kialeg.  We are just passing by, no matter how much I call it my home.
As a journalist, the Marsh has fascinated me in both its scale and its vastness; and although it may not have known me, I feel the Marsh is part of me because it is part of the entire landscape I call my home. I will always be attuned to its ramblings. 
Here,  the stone carabaos stand un-moving for hours, even as the gardener turns on the sprinklers to water the rosemary, the tarragons and the grasses around their unfeeling hooves. I remember the herbs I planted at home and the angle of light by the window which always made me want to read. I think of the cats, and the space I left behind. I think of you.

Sunday while I’m trying to do some washing

I hear someone belting your Nonoy Zuniga songs in the neighborhood. In one of the houses, though I can’t tell which one, the man’s voice drifts, singing the lyrics in raw Tagalog. The voice is a mellifluous one, which, when scaling the high notes, tends to fade. I've become keenly aware of the ravages of time and broken dreams in the singer's voice.  This is my second Sunday here. I am inside a tall black gate that protected us from the neighborhood. To our right somewhere, as we come out the gate, lies the bank of the Pasig river.  I can see the grime-covered skinny feet of children playing outside the fence. I remember how, back home, we would look forward to our songs by now. Sean has outgrown us lately, so there's only the two of us to drop by the Booksale first to find some old copies of Harper's or The New Yorker. Then, we would take a seat at the nearest KFC, where you would take out the notes containing our song numbers, reviewing them one by one, while I read the magazines. Now, I'm here alone, watching the video of you singing Paul Anka’s Times of your Life on my phone. I see very clearly now how your shoulders sag, and how your chest heave deeply as you gulp for breath in between your song lines. I want to go home.

This one, I’d surely miss

Cordoned off the seats reserved for government officials and priests, we were huddled in a small corner near the speakers, I, trying my best to stretch the limited capacity of my camera to capture the scene unfolding before me. When I told them I’ve been scolded by the PSG for going over the line to get a closer picture of the marble tablet etched with the names of those who died, Boyax only smirked, rolled his eyes; while Keith looked up at the starless night. Their gestures told me they have totally resigned themselves to faith, they have stopped trying another trick, what can you expect?  As we crouched over, reviewing our shots, Boyax had helped me find the good ones that would do and the bad ones that had to be discarded. Kill your babies, as Ja used to say. 

Then, I began telling myself, this one, I’d surely miss.

My good old days pretending to be a photographer would soon be over. But in the past months—or a year or two that I’ve been doing it—had been a fruitful one. It was an apprenticeship of sort. I had had a lot of lessons on the job. Unlike sitting on the bench, scrawling notes, I loved being with the cameras, to be at the forefront of things as they happened, to frame events through the lens I was holding. I got shouted at, and shoved away,  at times, but it was part of the game. I loved to be among this ragged, throbbing crowd with all the equipment they carried and adored.

Once, at the height of the campaign, failing to get myself in the middle of the action, I had shouted my questions from under the tripod (it was that crowded), still aiming through with my camera. The would-be President had to look up and down the jungle of bodies, limbs and equipment to answer my questions.

I often heard of the arrogance of some photographers against some newcomers.  But this crowd of photographers (where I felt I belonged) had readily welcomed me, allowed a small inch of space for me to stand, or crouch, in this too crammed world of photojournalism.

Then, I stopped bringing my camera. It proved too bulky, I’m afraid, in situations which demanded from me agility and lightness; situations that demanded most of the strength left in my weakening body. Covering the president has always been an exhausting job that requires us to stand for very long hours, skip meals, write stories on the phone, as fast as we can.

Soon, I may no longer be doing this anymore. I will always look back to my days among the photographers as one of the most memorable days of being a journalist. It allowed me new perspectives of telling stories; opened my eyes to a different medium, a medium that is more physical and more demanding of strength and alertness than the one I’ve been used to. 

It allowed me to be myself, to go against rules and conventions, to try new angles, new worldviews, and even get dirty, doing it.

Leaves

I looked up to see the leaves of the durian tree days after we brought Pa home.  We were still in a state of shock.

It was the year of the severe drought and a clump of durian fruits have been growing abundantly above us. But the heat was so intense that in the afternoon, we can hear the fruits falling on the ground. We were worried that the tree won’t survive. We painstakingly watered it, just as we nursed a tiny ginger plant struggling to survive in a pot just a couple of steps nearby.  But sometimes, love can kill. I discovered one morning the abnormal wetness of the soil in the ginger pot, and discovered my sisters Eve and Ione, and even Titing, the house help, lavishing it with water. 
“You’re killing it,” I said, seeing consternation on their faces. “Water it only once a day.  Too much love can suffocate.”

To my surprise, they listened. The plant only got just enough water that it needed; and soon enough, it was growing well. Rona, the wife of Eve’s driver who came by for a visit had collected the fallen durian fruits, because they were so small and beautiful, and would look good on a Christmas tree.

But Christmas was still so far away. It was still after Easter, which like in the previous year, we spent inside a hospital. As soon as we arrived home, we made Pa lie on a bed we put right in the sala. We brought a pile of pillows to prop him up but we could never make him rest because he always wanted to move. It was as if there was no position comfortable enough for him. His daughters, whom he resented for being girls, had a hard time coping.  He made us wish we had a brother. From the sheer physical strain of lifting him and helping him to bed, an act that had to be repeated over and over again until our own bodies threatened to collapse, we began to wish we were men.

Stepping out of the house, I found myself under the shade of the durian tree. I looked up to see the leaves, and saw the blue sky instead.

The way I see it

The previous year, when Pa’s symptoms had petered down a bit and then, were gone for a while, I used to go home almost every week to see how he and Ma were coping. 
Pa would be too surly, and would harangue me with insults that reminded me of an unhappy childhood. Instead of being shaken, I’d take the chance to roam around the neighborhood with my camera, scouting for good pictures. It was the year of the drought, the strongest El Nino to have hit this part of Asia, and I would reach as far as the neighboring sitio of New Dumanjug and further up to the next barangay of Upper B’la to take photos of the grasses that had browned and turned to powder under the coconut trees.

One day, I came back after sundown to show him some of the photos. As I was doing it, I was bracing for what kind of insults and hurting words he would again hurl at me.

“Unsa na (What are those)?” he asked about one of my shots. “Lubi (Coconuts),” I said. “Nganong nagtuwad (Why are they upside down)?” he asked. “Because that’s the way I see them,” I said.

Then, as we scanned my other shots, he also saw another picture of coconuts against the blue sky. “Why are you shooting them?” he asked in Bisaya. “Because they’re beautiful,” I said. 
For him, who spent his whole life as a coconut farmer, the sight of coconuts must be as common as the calluses in his hands.
But at that moment, staring at my shots, he did not say anything.

His silence punctuated everything.

Home with the Cats

I’m the only one who comes home now; which is quite ironic, because I’m also the one who will soon be going away. But perhaps, I am not going away at all, because I will be carrying this place with me where ever I go; and in that case, I would always be here even if I would be in strange cities like Manila.

I often arrive here towards sunset, with not enough time to catch the last rays of the sun after I make a roll call of all the cats. These days, I often find most of them missing but when they’re here, the cats, starting from the dear yellow-spotted black matriarch named Oreo—looking gaunt now because of poverty and neglect—would all come gingerly or with great hunger to greet me at the gate. Then, we would talk about the old times, when they were fat and there were plenty of food around, and we are not yet leading such diasporic existence as we are doing now. Our stories are full of longing. Sometimes, I would arrive when it’s already dark, and I would open Titing’s knot at the gate, which is very hard to untangle, and they’ll rush towards me, no longer in attack positions as if I were a stranger, but with great hunger for food and human company.  
Once, I’m inside, I’d put the keys into the doorknob and when the door opened, I’d grope my way upstairs as I enter the darkest room of the house, where I’d turn the main switch to turn on the light.  All the while, I would talk to the cats, silently wishing that I could spend the whole time here with them, so that they will no longer starve; except that, I’d be thinking in retrospect, if I’d do that, I’d be out of my wits thinking where to get the money to buy our food? So, I console myself with thoughts about my work, although my work increasingly scares me these days. 
I dream of the day when I can finally be free to read my books and write my stories.

I’d spend the rest of the night with the cats, sometimes, reading aloud some of stories from my old New Yorker magazine before the rapt inattention of my captured audience. In most times, I’d skip dinner. To tame down the pain caused by my stomach ulcer, I would bring along biscuits or oatmeal, because the point is, there are only two people who can make me cook dinner and I have left them in the city. (I’m referring to my boys, who are not with me.)

So, spending my time alone with the cats, I’d long for the taste real food, just like what I used to have when Mother used to be here. Mother, however, had ceased to be Mother; we were supposed to switch roles now, except that, I’m not really as financially stable as a daughter, which means, I might not make a good mother to her. A good mother should have milk for her children, a steady flow of cash to bring food on the table, has a busy kitchen, with reliable househelp buzzing about. A good mother would not have anxieties about money, she is already well-provided for, and cash always flows towards her direction. So, aside from being able to take care of her ageing Mother and sending her sons to very good, highly-reputable schools, a good mother always has enough food for her cats.

I don’t have them so I will have to go away for a while. 

Waiting for the President

One hour. Two hours. Three. Four hours. I was under the GI-covered court since one o'clock, when the sun was at its zenith. He was supposed to arrive at two. He arrived at 6 pm, when the sun was already down. When reporters started arriving, they asked, how long have you been here? An hour or two ago, I said.  When you're alone to an event like this, you don't want to be late, to be accosted by the Presidential Security Group and be told, "Sorry, Ma'm, you can't enter now," and there would be no one to back you up. So, you come early. When I arrived, it was very hot, I remembered what Alan told me, "Be sure to bring along a bottle of water, it would be very hot there, and the store is so far away." I did not remember until I was thirsty. The whole week, I've been thinking, my job increasingly feels like a one-sided love affair; I love my lover but my lover doesn't love me back. I was broke. When I told Ruth all my capacity to love has already been drained, and there's nothing left to it now, not even crumbs; she said, maybe, you're just tired. I said, I've been tired before but this has nothing to do with that kind of tiredness. This one has the finality to it. It's like what you feel when you want to leave your husband and you're already set in doing it. Have you ever felt that way? I asked and added, as an afterthought, "But maybe, you've never felt that way to your husband, at all; maybe, you love your husband." 

Her reaction was violent. Her brows suddenly knotted, the color of her face suddenly changed. "Dili oy, dili! Dili!" she protested vehemently.

We were both surprised; and we both laughed.

How I discover Brenda Tharp

Sometime in 2011, when I finally finished my part of what soon will become the book, "Bittersweet Stories of Farm Workers in the Philippines," I was so happy to have written a 36-page manuscript and had enjoyed every bit of it that I entered the bookstore so intent on celebrating.  As usual, I went directly to the rummage bin, where all the books were haphazardly strewn, without any attempt at organization. I did not bother casting a look at the well-ordered display shelf, because I have stuck to the belief that the real treasure are found in the rummage bin and not on the shelf.  True enough, the book, "Creative Nature and Outdoor Photography," immediately caught my eye. When I opened it, I discovered that its author is doing in photography what I was trying to do in my writing. I immediately knew it was a book for me.
All the previous photography books I read had in them what I called a male energy.  Everything was straitjacketed, including your vision, in a way that often constricted me. Aside from touching on the basics of composition and some principles of design, this book allows the beginning photographer to explore.

Torn

I'm lost again and torn in all directions. Three very strong forces are pulling me and tearing me apart.  First is UpperBla, where I am locked in a violent battle against swell-headed monsters and well-entrenched chauvinist pigs that dominate the countryside; another force, a gargantuan edifice that might gobble up my last remaining precious time for pleasurable reading; and the force of love, which requires me to stay put and stay where I am.

Summary of Meetings

Girlish sightings of a young man on horseback by the river, his lean body bent over the horse's mane, as the beast trod water, its hooves splashing, the sun casting shadows on the rider's face.
On the day I realized I was no longer a girl, you were dropping by the house for one stupid reason or another and we spent some time staring at each other.
That Christmas Eve I saw you with long firearms swung around your shoulders, and Pa, in his usual bad temper, berating you, I huddled in a corner, frozen; but you did not turn to fight.
Then, three long decades of not knowing where you were; wondering whether you were dead or alive, and not finding anyone to ask.
When suddenly, one day, someone told me you were around, I fumbled for something in my pocket.  I thought getting a glimpse of your face was an extreme act of courage, a sufficient gratification by itself; and so, I forced a man to drive right to your doorstep just to get a glimpse of you. I was not prepared for what was to follow and that was how I lost you.

A village called B'la

People in the village are dying faster than I can talk to them. He told me his mother came from Bohol but he did not know where she met his father. When he began his story, he was living alone with his mother, because his wife was in Kuwait, and his sons and daughter preferred to go home to their grandmother on their mother’s side rather than to him. I asked, so, who cooks dinner? He said it was his mother. Do you eat together? He said they eat together sometimes, but at other times, they don’t.  I had wanted to see his mother, just to say, hi, if she can still remember the girl in the past, but even before her son could finish his story, she got sick, and while I was away, she died. I suspect that this village was a young village and the people who are dying now, were never really born here. They arrived here at the prime of their lives, settled here, raised a family, and now, they’re dying. I can’t remember where in the Visayas his father came from but he said they were among the earliest people to have settled here in this village when the whole area was still a forest. His father was already gone when he was telling the story.  Although the village is a farming village, theirs were not really a farming people in the real sense of the word, they owned a school supply store, at least; where we used to buy bond paper when we ran short in school. 
While we were talking, another woman about as old as his mother, and who owned the village's longest running rice mill, had lain in a coma and was being taken cared of by their eldest daughter.  She was asleep when she got a stroke, and according to the account of the househelp, her husband had first felt her hand stroking him but he just brushed it aside, until the morning, when he discovered what was wrong.  
Later, I happened to talk with the man, who used to ply the jeepneys that used to bring people and goods to town. He remembered the girl who used to take his jeepney back in highschool. He told me he was born in Iligan before settling here but his father came from Dumaguete City. He and his sibling recently found out that their father had left a beachfront property in Dumaguete City, which they wanted to sell. But someone, a relative or something, was occupying it, so, they were having such a hard time selling it. The man was a good man, they all are, in this village. But unlike my father, he was not a farming man. He'd rather own a store,  a truck, a jeepney, or any vehicle and ply it. Much later, I met another man about his age. He was born in Quiamba, Sultan Kudarat before he settled here, but his mother came from Minglanilla, Cebu and his father from Butuan. He said he had never been in Minglanilla all his life and he was already 73 years old. The man was well-read [[well, he knew the historical role of the Philippine Daily Inquirer and the people power at Edsa and unlike most people in this village, he hated Martial Law!]] When he arrived in this village, there were still so many timber trees around.  There were Apitong, Guijo, Lauaan, Tugas, and others. "Was it the logging that wiped them out?" I asked. "No," he said. "People even burn them, when they get in the way of  corn growing!"  Even if Pa had farmed all his life and must have developed some affinity with the soil, I don't really have some romantic notion about his worldviews. I remember the indigenous varieties of mangoes, guava, pomelos, macopa naturally growing in our backyard, which he cut down to give way to the mahogany trees and the gmelinas. He preferred cash crops to fruits.
I saw where your Ma and Pa were buried as we passed by your area. I remember the last time we talked and felt the full impact of the drought.

I never run out of crazy ideas

In a Distance

Towards sunset, I took a motorcycle and climbed all the way to New Dumanjug (as if it were really that far to climb) to look at the changes in the color of the grasses as the dry condition felt all over Davao del Sur in January this year developed into a dry spell that threatened to further develop into drought. What made New Dumanjug very far for me to reach was not really its physical distance but my lack of courage to go there alone and take pictures all on my own. I gulped down my fear as I disembarked, introduced myself to a woman grazing her cow in the fast wilting grasses, and had a good time watching the children play in a distance.

Dear Solitude

Funny how I read this article exactly at the moment when I’ve been puzzling over my inability to write for days, even if I never used to believe in “writer’s block” as far as journalism writing is concerned.  Long ago, my editor and I had agreed, as a matter of principle, that we, journalists could not afford a block, an ailment commonly afflicting creative writers; because for us, it’s either we have the story or we do not have it, and that it’s only the absence or incompleteness of facts that could prevent us from writing it.  That’s what I used to think before but life is not really that simple. Something has been preventing me from writing these days and I realized it’s not just the absence of facts. I could not bring myself to write because a huge part of me was on strike; and I call this part of me, my writing djinn. It was on strike because I failed to listen to its demand for a long, long time; and for such a long time, I have deprived it of its most basic need: the full and blossoming reading life and delightful solitude. I’ve been jumping from one place to another, soaking myself with the problems of the world, that the djinn is going mad at not being able to read at least four or five books continuously for hours, in total uninterrupted silence. For the djinn, I must say, is an artist, with a well-developed inner life and a will of its own. The djinn it is who fuels my writing. The sooner I recognize this, the better for both of us. I could no longer bring myself to write even if the materials I was supposed to write were already right before me.  The djinn had the anger of Ceres, the anger that prevented the grass from growing, the anger that killed all creativity, it was the anger that practically stopped all life on earth.  Ceres is the harvest goddess whose daughter Proserpine was abducted by Pluto. Her anger had caused the plants to wilt. The anger came that part of me that had supplied the spirit that fueled my journalism throughout these years. I have neglected that part of me. And now, it is demanding attention.  It is demanding solitude. It is going on strike.  It is my only lifeforce, the springboard from which all my writings come from. 

Out of Order

What's happening to you? Don't know how to start a story? Don't know how to begin? Don't know because you no longer care what you are writing? Staring at the computer screen like this, remembering the interview and the expectations that went along with it; what's happening to you? All you're thinking of right now is the taste of peppermint in your lips mingled with the taste of kalamansi and that honey taken from a tree 30 feet above sea level. Or, that secret guyabano recipe you are making in the kitchen to fool Ja and Sean to submission. Or, the cat meowmeowing at your feet. Or, that guy whose hands, already calloused by time, you still wanted to touch.

Old passion re-asserting itself

When I was six, Ma came home with an exciting news about an artist/teacher, a dignified and illustrious Mr. I forgot-his-name, accepting six or seven year-old children to train under him at home. The students--whom Ma imagined could be all boys--would stay with the Master on weekdays and may go home on weekends, an arrangement similar to a boarding school for young artists.  Even in a remote place like B'la, it promised something special; it even sounded different: a training in Art. I felt loved, happy.  Even at that point, I thought, Ma must have felt something about me, must have thought I had some of what people called "potential."  I was filled with excitement. Day after day I waited for it to happen: to learn Art, to watch the Maestro render reality on paper. But the month ended without a word from Ma. I waited and waited until the waiting became so unbearable.  When I finally asked her about it,  she told me she decided against it because she was worried about me. For her, it was unimaginable: a six-year-old girl living with boys under the tutelage of a man.   That officially ended my career in Art and Ma quickly forgot all about it.  I didn't. 
Well, maybe, I forgot all about it while I was growing up but that's what I remember now.  I remember how I was quickly forgotten, my dreams set aside. 
Ma taught us to put ourselves last always.  All the drawings that mattered in school were those being done by boys.  The bold strokes, the tri-dimensional realistic renditions, the portraits that copied reality even if they were only done with a ballpoint pen. Girl drawings were merely beautiful, trivial. Together, we--girls--thrived in the shadows, learning from each other and enjoying every moment of it; and that's how we persisted. It's only now, when old passions try to re-assert themselves, overwhelming us in their intensity, that we come to realize we could have been bolder.  
Then, we want to start all over again.

Lost in Kialeg

What I look forward to

This year, there will be more roads to take, miles to run, stories to write, accounts to hear, things to make, places to go, images to collect, recipes to try, food to taste, books to read, cats to coddle, rivers to follow, mirrors to find in nature and in man-made structures and landscapes.

What do I want?

He is such a delightful friend and he said to me just a few minutes ago, "So what do you want now? It seems you've lost all zest for life, you're no longer happy with what you're doing, you don't want to write anymore, you don't want to talk about writing, you don't want to cover stories, what do you want to do? Maybe, it's high time to look around for things that make you happy. Otherwise, you'll have such a big problem there. What would anyone do to someone who could no longer be happy? I sat staring at my computer screen. No, I said. I want to plant timber trees and read Annie Proulx while watching them grow. That's all I want to do.

Postcard Greetings!

Happy 2016!