Agfa Building

I'm just fascinated by this old building standing unobtrusively, almost obscurely, along City Hall Drive and caught my camera on Independence Day. While waiting for the VIPs to arrive, my camera felt very impatient and explored the vicinity of the square some distance away. We were allotted a standing space without any chair to sit on so it really tested my endurance, especially as my hipbone was hurting that morning. So, the camera roamed around and happened to look up at the trees--there were about eight full grown trees left standing at the City Hall grounds, had they cut all the others? and beyond the trees, this particular building, so fascinating because it looked so old. What story could it be telling me? The drive on its ground floor was often crowded with people milling around, doing some business with City Hall, vendors hawking, or selling fruits like sliced papaya, singkamas, raw mangoes; or banana cues and later, siomai, binignit, used to line up the sidewalks outside the camera shops next to this building, photocopiers, laminating shops, photo studios and Davao's oldest bookstore, the Velasco Bookstore, lining down the entire stretch of the drive that ends at the Jaltan outlet where it meets Magallanes Street in the corner. 

Is Agfa Building the real name of the building? And why is it named Agfa in the first place? Yes, I know it had something to do with Agfa film but I want to know exactly what and how. 

Thank you, Lola Openg

I was trying to figure out where to get my baptismal certificate at the time when no one among the living could remember, or even had any knowledge, where I was baptised.  I cracked my mind trying to analyse the possibilities--by tracking down in my mind the movements of people I used to know. My Pa already passed away five years before, though, how I wish I could still ask him.  As soon as I asked Ma, she said, "Of course, you were baptised in Argao, where else would it be?"
Was it probable that I was baptised in the town where I grew up? Where to begin my search? Then, I remember this particular photo showing Lola Openg carrying an infant with those scandalously thick black hair.  I was quite sure that that infant was me because I had a memory of it being pointed to me by grownups. I used to be so embarrassed by the shocking black hair; though, right now that my hair is thinning, I've been wondering about that hair; how I failed to appreciate it while it was still around. I was always trying to hide it, tying it or having it straightened.  Lola Openg looked younger in the picture now, though, when I looked at it before, when I was much, much younger, Lola Openg was always old; way, way too old. 
I've always looked up to her as an extraordinary woman, not like any other woman I knew. She had strength and toughness of character. Her place in Balusong used to serve as a drop-off point of settlers arriving in Mindanao for the first time or those who had already settled here but were leaving back to their old Visayan hometowns. They always make it a point to sleep in Lola's house before they take their flights the following day; or before they go on a long bus trip to Nasipit or Cagayan de Oro where they would take the boat to Cebu. If Lola Openg had carried me that day I was baptised, then isn't that very likely that I was baptised in the city where she used to live? I still could not believe it. In my mind, I tried to scour the locations of churches closest to Lola's house and those closest to her heart. Everything pointed me to a particular cathedral. True enough, less than 15 minutes after I inquired, the venerable priest assistant handed me my records. Thank you so much, Lola Openg! 

Cup Sawi

 

Sikwate and Puto Maya

Two nights without getting a wink of sleep and I lapsed into a trance.  I loved it. I was stripped of all animal emotions (except fear and panic, which was what brought me to that state in the first place), but all in all, I was capable only of that and the higher emotions of love and longing for God to come and rescue me from my deadlines.  On the second day, when I finally saw the glimpse of a read back before the break of dawn, in between the unholy hours before the cock's crowing, I dragged Ja to the Bankerohan public market, where we had a hearty breakfast of sikwate and puto maya. 

I'll tell you all about it

 

But not tonight. Tonight, I still have to read, I still have to write, I still have to clean my copy of verbal flabs, garbage; I still have to clean my desk, I still have to untangle the tangled threads of my earphone. Threads because I could not remember the right word for it. I'm running out of words nowadays. Maybe, one day, I'll remember. I failed to take the picture of that tall ugly woman in a brown dress and with a bun hair-do, who thought she was young and pretty and she owned the world because she was a Filipina working for the Polish Embassy.  

Love is a many splendored thing

I just came out of the coffee shop where I cracked my head over a story that refused to write when I happened to look up at the sky and see the colours. I never knew that it rained. I never knew that I already spent three hours on a story that refused to work. And when I looked up again, I caught a message on my phone, saying, Ma, I'm here, where are you?! 

It simply made my day.

 

Claveria Street when underground cabling was still in progress

This was what the Claveria Street (above and right), the Crooked Road (below, right) and that street that leads straight to City Hall (below) looked like on June 23, 2021.  They're already clean and orderly now.   

We keep your memories alive, Dodong Solis

We heard about your passing yesterday.  I opened my picture files and remember that you told me once, when I was scrounging for stories about the early people in this city, that your folks used to own that piece of land where the new hotel was now standing.  

"That used to be the land where my Lolo's house once stood," you said.

"How rich you must have been by now, if your Lolo had not sold the land," I said.

You said something after this but I could no longer remember your reply. I wanted so badly to remember it now that it has fallen upon our shoulders to remember everything.  

Maybe, some other time, when my mind would be in a more relaxed state, maybe, it would work again and I would remember. 

Just like what the Crystal Woman told me once.  The memory will just come to you in the most unexpected time. It will not announce itself to you when it does, unlike what happens in the movies.  There would be no spectacle, no drama. But you will know when it happens.  The information from the crystals, stored for millennia under the earth, will just come to you and you will know it when it does.

I will remember what the Crystal Woman said to remember the stories in this city. 

I will remember everything. 

Outpouring

Do you remember when I talked to you that night when it was raining and the rain had soaked my shoes I left outside the door? I discovered it only in the morning when it was time to go and I realized I didn't feel like walking on a wet pair of shoes, so, Eve let me use her pair of black thongs which until now I haven't returned?
No, maybe, my memories got mixed up and I was talking of a different night. 
Maybe, it was not raining that night; but you, as usual, had your old tantrum. You called us names. You said words we never heard at home when we were growing up; words that made us wince with loathing. Ione must have given up on you, she merely sighed a tired sigh.  She had taken cared of you, night and day, and all she got was humiliation. Was that what she was thinking as she closed the door and went outside? 
Ma, I brought her upstairs to rest, ignoring your nagging, Beth-Beth! Asa ka, Beth?! Beth! She was looking very frail. I said, Eve, let Ma sleep here, I will be the one to watch Pa.  
For anyone to watch you at this time meant that one would not sleep a wink until morning. You would ask us for help to sit up and once you're up, you'd ask for help to lie down; and when you're already lying down, you'd say you want to sit up again; and this way over and over all the way till morning. I said, puslan man, Pa, you don't want to sleep, let's have a good talk, Pa. You said, what?! Your eyes glaring. I said, let's talk, and quizzed you about Lola, your father, your sisters. 
"Why do you keep asking me about the dead?" you retorted. 
I did not give up but backed out a bit by asking you about Upper. What the place was like before you came. Who was Ayok, Bagobo. How did he look like. 
"I don't take stock of people in the past," you said. 
I said I'm sick and tired of the city, I want to live in a place like Upper.  I want to plant trees. I want to live in the rainforest (and read Dostoyevsky, Foucault, Annie Proulx). 
You said I can squat there in Upper, there are lots of places to squat. "Squat?!" I asked, wildly amused, feeling betrayed. "Yes, squat," you said. "Many people squat there. You can be like them, squatter." 
"But how will I live?" I asked, feeling you just fenced me off your property.  
"You can plant corn, bananas."
I had that sinking feeling again.
"But I can't live there, Pa," I said, after a while. "I will still stay and work in the city until the boys got to finish college. I will see to it that they finish first, no matter what it takes, before I go and live in a place like Upper."
I heard you pause when you heard this.
It was only much, much later, after I've gone home and taken a bath and was watering my Oregano when I realized what that pause could have meant.
I remember our conversations in the past and I remember that boy who desperately wanted to go to school, but no one else out there had staked it out for him.  Instead, he ended up sending his younger siblings to school. Later, I would hear this boy asking his mother, why? Why? Long after his mother was gone.  He felt betrayed. No one remembered. Or so, he felt. 
You used to say to me, "and that's because I sent you there." "You have your life now because of me." 
You felt abandoned. 
No one come back to return the favor.   
So, when you paused that night, did you finally get it, Pa? Did you finally see a break from the past, did you see a return of a favor, did you see that no one is going to be left behind?

Sunrise Breaking

This picture, taken when sunrise was breaking beyond the veranda of our home in B'la outlining the leaves of the Song of India, makes me think of my Pa. 
At the height of his ailment - those long uncertain months after his first hospital stay when we deemed it good to let him stay in the city - I used to leave Davao City at dawn to go to Bansalan to oversee the weighing of copra.  I was so insecure about the whole proceeding because: first, I didn't even know how to read the weighing scales used by the Chinese merchants to weigh sacks and sacks of our produce, so, you can imagine how strained I was, standing there, pretending to understand, when all the while, I was feeling like an idiot (of course, this did not last long because Pamela Chua, a Tsinay from Binondo, whispered to me the secret code--okay, this part is purely isturyang hubog, see, I put it inside the parenthesis?!); second, there was no one in the family overseeing the workers in the farm, which actually meant, we are slowly, gradually but surely, losing control of things over there.  So, to calm my nerves, I used to leave Davao City too early, when everyone else was still snoring;  to see to it that I arrived at the house at dawn so that I had enough time to be at the farm at 6 am, when everybody least expected me.  This would allow some time for me to get to know the people and to observe what was going on in the farm (though, I hardly had two hours to do all these).  During those months, I had studied the proceedings of the farm and studied the people there just like the way I read my books.  [Of course, I eventually developed a grasp of the politics and economics of the place, developed a feel of whom to trust and whom to be wary, honed my skills to read people's hearts and people's intentions; but I admit that up to now, I still can't tell a coconut ready for harvest  from a buko or a banana!  Uh-okay, I can tell a banana, but to tell a mature coconut fruit ready for harvest from a buko continues to be a puzzle to my untrained eyes! To compensate for this, however, I knew someone I can trust who can tell the difference.] 
Once, I overshot my target hour of arrival in Bansalan and had left Davao City at 2 am, which was rather too early. I arrived home when it was still dark and drank the loneliness of the house. I went to the upper bedroom and saw Pa's things and shirts scattered in different places in our frantic search for things to bring that day we left for the hospital. I felt this searing pain as I saw the pillow where Pa's head used to lie, the old Bisaya magazines he used to thumb through and had left in the corner, still half-folded; the glass, still half-full of water, where he drank that night, before he was seized by the pain which made him say, "Dios ko, Dios ko, Gino-o," as he made the sign of the cross; which made me send a text message to my sisters, "It must really be painful because I've never ever heard him say, Dios ko, before;" which made my sisters, hundreds of kilometers away, race for home days after. 
Still, I can't forget the sight: his slippers which were scattered in different directions, the discarded clothes, the poor state of his old shoes, worn, weather-beaten, gathering dust in a cordizo;  and even the dusty nito basket hooked to a nail on the wall, where he kept his documents.