Now that the multimedia class is over; a class I had survived despite my most rudimentary piece of equipment, my slow and memory-challenged laptop, most of all; I needed to thank everyone who had made my work a success (despite its being a disaster.) At last, I decided to remove my disastrous video here, (it was not only because of poor planning that the images failed to match the story that unfolded, it was also shortage of time, lack of gumption, the vacillation of will. For, imagine making a long form documentary in a minute’s notice! While trying to master all those audio and video editing software I handled for the first time!) So, for the benefit of all of us, I decided to remove that piece of disaster to put in its place the only shot I liked in the entire video. It was a shadow cast by a worshipper on a wooden bench inside the small chapel in Mayo, a sitio about 30 minutes ride from Poblacion, Columbio. For there was nothing I loved better than shooting shadows! This shadow was shot during what Ja always referred to as the “magic hour,” when the sun is already 45 to 30 degrees to the horizon, its yellowish tint saturate the colors on earth, sending even the most ordinary thing aglow, making everything looks so special.
Earlier, we had left the perfectly-decent, concrete church in Columbio. When we arrived, the small wooden chapel on the hill was awash with sunlight. The view of the surrounding hills and mountains was magical from the inside, framed by the chapel door; but something had prevented me from aiming the camera and pressing the shutter. Fr. Peter Geremia, PIME, was saying mass and I was worried that if I aimed my camera at the door, I would meet the rebuke of the faithful—! So, there! That was how I missed that magical door shot as I, instead, aimed my camera on the floor to record the shadows.
