Lovers of Light

What's Wrong with the Devil?!

I chanced upon the Devil one day, talking about "the environment" inside an air-conditioned room full of people and I thought he made some sense.
He said something like if the law only worsened the human condition, then we have to ask why that law had been there, in the first place.
He kicked off his slippers under his chair and because I was at his back, I marveled at his unwashed soles as he kept crossing and uncrossing his feet while making his point. Right there and then, I began to like the Devil.
When the talk was over, it was lunch. I happened to fall in line next to the Devil, who turned around half way when he got his plate and saw the identification card on my chest. “Are you from the Philippine Daily Inquirer?” he asked, surprised.
I nodded.
“So, are you going to write about this?” he motioned to the hall where we just came from. “Maybe, yes,” I said, and was about to ask him why but he already turned away, mumbling something I could not make out.
The Devil was very tall, and surprisingly, a Caucasian, but the way his face flushed, I suspected, he must be saying something like, “Be sure you understand what you’re writing about,” or, “I hope you won’t add something to what I said,” or, “Don’t you misquote me, you should not be allowed to write anything here,” or, “No media is supposed to be here!”
Things I used to hear from other similar gatherings before.
It was such a pity that he was already moving away and I could not make out exactly what he said.
I was already seated at the table when a servant sent by the Devil told me to get out because the event was not supposed to be for the media.
So, I got up feeling so stupid, lost my way trying to find the elevator, then, heartily took the stairs down seven floors as I pondered upon the power that betrayed the basic fear and weakness of the Devil! He had the maze of structures to surround him, he had the power to employ (and exploit) people and control their minds—and yet, how pathetically insecure the Devil was! [Anyway, why would someone wall himself up behind horrendous physical and psychological structures if he were not afraid and needed to feel protected, in the first place?]
I came up with several hilarious conclusions about the Devil as I finally reached the last flight of stairs:
The Devil was paranoid.
The Devil was afraid of the media!
Because he was afraid fo the media, the Devil must be very obsessed with his image.
I conjure an image of the Devil looking at himself in the mirror, worrying about his looks! Something must be terribly wrong with the Devil!

Bad Karma

This morning, I set aside my unfinished stories on Ramadan, the Human Security Act, (and many more that I could not mention for fear that doing so might stop me from writing them); I’ve foregone the pleasure of re-reading Jorge Luis Borges’ “The Zahir,” and “The Aleph” (which in the past few days have intoxicated me) or Edwin Mullins’ “The Pilgrimage to Santiago,” which I had started and abandoned a few months ago, or, Starhawk’s “The Spiral Dance,” which I found switched in between the rotten copy of Hendrik Willem Van Loon's "The Life and Times of Rembrandt Van Rijn" and Italo Calvino's "Difficult Loves" on the shelf of an obscure bookshop!
Worst of all, I turned down Dasia’s invitation for coffee--which is very rare, it happens only once in a hundred years!---because I had earlier promised Mandy I will attend that forum for her.
Only to be told---after half a day of listening to the speakers masticate about mining inside an air-conditioned room---that I did not have any business to be in that forum. They invited Mandaya, not me.
I was kicked out, so to speak, by people who did not even bother to explain why my name (instead of Mandy's) appeared on the attendance sheet (and it was not Dava Maguinda, I swear!) and why I had to waste precious hours before they could tell me I was not wanted in the first place!
But okay, it was over and I'm not going to wallow into it!
I was only there “to fulfill an obligation” and did not want to engage in any sort of “intellectual masturbation” about mining and the “indigenous peoples,” anyway, when the “indigenous peoples”(except one) were not even around.
Besides, I don’t really believe that there is some kind of a middle ground on such issues as mining. If you talk about mining and you tell me, we can just pose questions without making any strong statement for or against it--I’d surely feel very uneasy just sitting there, keeping my seat extra-warm without even bothering to ask: Are you deluding yourself? Are you pulling my leg? Or are you fooling the people?
So, I was just too glad to get out of there as fast as I can. They also told me I could not write anything about that forum, something that I never dream of doing so in the first place. For, except perhaps, for lawyer Marvic Leonen, who made perfect sense to me, are they really worth writing about?

Chat with Wahyu

With the recent unrest in Burma and the Burmese military junta's brutal crackdown on pro-democracy protesters, Wahyu, the journalist fellow from Jakarta I wrote about here last year, was all agog.
"Burma monks are now on fire for democracy," Wahyu wrote, obviously agitated, when I chanced upon him in my monitor.
"Yes, I read about it!" I replied.
"You don't want to go there?" he asked.
"No one will pay for my plane ticket," I lied.
"How do you look at the move of Burma monks?" he asked again.
"Will they succeed the way Cardinal Sin succeeded in leading the people power in the Philippines?"
"Sure!" I said. "To speak up against oppression is in keeping with their role as keepers of the soul of Burma! But don't talk to me about Cardinal Sin, Wahyu! He was such a disappointment! The Philippine people power at Edsa was a big disappointment," I said.
"Filipinos want real change, Wahyu, not a show!" I continued. "People power at Edsa was a fake revolution!"
Wahyu was silent for six minutes, so, it was my turn to be agitated. It was also my turn to seethe with fury. Then, all of a sudden, he scribbled again onscreen. "Hahaha!" he laughed, "I don't know why you are very pessimistic! I think the Filipino people power was an inspiring thing for peoples in other Asian countries struggling for democracy."
"Inspiring?!" I asked. "At the moment that it was happening, yes, it was really very inspiring! We looked up to Cory Aquino. We believed in her initial moves to broaden "democratic space." But what's happening now?
Where is the so-called "democratic space?" What happened to Hacienda Luisita, the big landholdings owned by Cory's Cojuangco clan, supposed to be subjected to her most touted land reform program? What happened to the farm workers there? Have the lives of the people improved after democracy was restored? How about the number of journalists and political activists getting killed everyday? How about the silent Martial Law in our midst, the Human Security Act--the law that allows the arrest without warrant of anyone suspected of being a terrorist? Edsa was really a disappointment, Wahyu. Please don't talk to me about it. People around the world who love the idea of the people power that happened in the Philippines more than two decades ago should not only praise and "get inspired" by it but should also study why it failed."
"Well," Wahyu replied, "We always get disappointed by things but I think the Philippines is still the most democratic country in Southeast Asia."
("Democracy, my foot!" I was about to say but I restrained myself!)
"So, what really is democracy, Wahyu?" I asked, instead. "Is it democracy when you are starving because the few who control the country's wealth are enjoying the fruits of your toil and selling your country to foreigners? Is it democracy when you get killed when you ask for a raise in wages because your pay is no longer enough to feed your family? Is it democracy when you'd rather brave being a truck driver and get killed in Iraq than die of starvation at home? Is it democracy when women have to leave their children at home to take care of the children of other people abroad? Is it democracy when you get raped in your own country by a US serviceman, get blamed for it and wake up the next day to find your own government scuttling the condemned criminal out of jail unscathed just to please the US government?!
What really is democracy, Wahyu? Please tell me, Wahyu, please tell me!"

(NOTE: The above photo was sent by Myo Zaw at the height of the September protests that rocked Burma while the Shwe Dagun temple (below it), still looked deserted when Wahyu took this photo during his Burma visit as a Seapa journalist fellow in 2006. Recently, the beautiful temple has turned into a site of riots and protests.

Lost in the Labyrinth

Everything is turning out to be a labyrinth for me these days. I enter and have trouble getting out of conversations, books, journals, blogs, youtube, magazines, diaries, dreams. The world in here is simply too exciting, too beautiful to ignore. I don't mind getting lost in this glorious maze even as another part of me is pulling me out of here, depriving me of the pleasure!

State of Blindness

Just a few weeks ago, on research assignment for Newsbreak magazine, the editors texted that I needed to send my picture while doing the interviews in the remote Davao del Norte town of San Isidro. This request somehow bothered me but I managed to say, yes, and sent them the picture of me with my back to the camera, revealing only a portion of my face. “How can we introduce you to our readers that way?” the editors complained. So, I sent some images of the unphotographable me and shrugged off the uneasiness that I felt. Then, going through the last debris of our home that disintegrated early this year, I came upon what I had written many years ago:

State of Blindness
"May 27, 2004---I consider myself the prodigal daughter of the Light. I am the one who could not be photographed, whose face light could not capture because, as a perennial outcast, I've always been condemned in the dark.
That’s why, I also call myself Zmira al-Zuddah---'al-Zuddah’ was the goddess banned by the Prophet because the Prophet said she meant trouble—-to remind me that long before the male Gods ruled, the Goddesses were already here. But it was in Davao that I first became aware that despite my having been raised in Mindanao, I didn’t know anything about the place and its people. Which could also mean I did not know anything about myself.
I was asked to take a trip to Iligan to interview a former member of the Moro National Liberation Front (whom I wanted to think was a warrior woman), and was slightly shocked (and embarrassed) that the women only stared at me when I said, “Hello.”
Later, while we were talking, a young Maranao guy opened the door and seeing that the woman had a visitor, greeted me, “Assalamu Alaikum.” It was only a year after that I learned about the right reply, so, right there and then, in the face of that young man, I was stunned and didn’t know what to say. I only stared at him---a dark, shockingly handsome young man, so tall that he had to duck his head as he entered the door. I even failed to say “hello.”
On the bus on my way home, I realized that the women who only stared in reply to my greetings did not mean to be rude at all just as I did not mean to be rude to the man who opened the door. Probably, (like me), they just didn’t know what to say.
That day opened my eyes to the gap---the line that divided "them" and "us"---among the people/s in Mindanao. It was eloquently shown by a man, a Christian, I met on the road when he said, “Mag-unsa diay ka sa ilaha, Day? (So, what’s your business with them?)” I was amazed how the man came to recognize me as a "Christian."
The experience left me so shaken that at first, I didn’t want to remember it. Later, in Davao, I found myself riding a jeepney, and sticking my head out to look around, wondered if I can find mosques along the way. I was surprised to see a number of them, sticking out of the shanties near Bankerohan bridge, a grander one at the mini forest Boulevard and a white one in Sirawan. I was puzzled. How come I never saw them before? What kind of eyes did I have?
Then, the realization struck me. I was suffering from what VS Naipaul called---“a state of Un-seeing.” I only see things that my eyes were taught to see—-a mental blindness brought about not only by 400-year colonial rule but also by the kind of education that I had, a paralysis preventing me from seeing my own people.
Another thought struck me: If I failed to see the mosques, which are in themselves, architectural feats, how could I ever see the trees, caves and mountains that are the sacred temples of Mindanao’s non-Islamic tribes?
Thus, started my fascination for the different cultures of Mindanao, which, up to that time, remained invisible to me. Since then, I discovered many things. Leaving behind a loathesome eight-to-five job, I found myself in the midst of a dance of sagayan, a healing ritual performed in one of the war-ravaged communities in Maguindanao, and gradually found myself healed. One day, I found myself talking to a balyan--a woman! a priestess!--and got a glimpse of how she had kept alive her natural spirituality in her dance amidst the stringent Catholicism imposed on her by the Church.
Among the images of beauty I’m beginning to collect in my mind is a white onion-domed mosque in the midst of a green rice-field on the way to Sultan Kudarat. But because of the rampaging war in our midst, these images oftentimes get mixed up with the disturbing sight of military boots trampling down an open mosque in Buliok, Maguindanao and someone sneaking away the sacred Arabic texts inside.
Now, I find it funny to hear people complaining about the absence of ‘colonial Churches’ in Mindanao because (except perhaps for the coastlines of Caraga) this island is perhaps, one of the few places in the country where the Spaniards failed to leave their mark. "

What could not hurt?!

I've been going over and over this disturbing short film "Ignorante" by independent filmmaker Jon Red posted on davaotoday website after it was earlier banned by government censors.

Collecting Ethel?!

"To collect photographs is to collect the world. Movies and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store."
--from Susan Sontag On Photography

The Sadness of Deers

On the walls of Marco Polo hotel's Eagle Bar are petrified figures of deers. Below the one nearest the glass window are the words in bronze: Sable (Hippotragus Niger) taken by Xavier A. Dominguez on 21 August 2005 in Usangu, Tanzania using a Weatherby Mark V bolt action rifle caliber .378 WBY magazine. The window looks out to the driveway that curves towards the hotel entrance. Another one, on the wall near the door, is a Fallow Buck (Dama Dama) taken by Carlos C. Dominguez on 9 March 2006 at the Manuka Point in New Zealand using a Winchester model 70 bolt action 308 caliber. This shot won the hunter a gold award in the European Fallow Deer Estate competition in New Zealand. I keep looking at the eyes of the fallen deers. They are very sad.

Elegy to the Laua-an Forest

Near the boundary of the land, where my Pa has left his imprints in the last 50 years, stands a lone Bunwang tree, known for its softness (a liability in the world that is obsessed with hardwood, the unquenchable demand of which fuel the wholesale devastation of timber forests.)
“It’s the only tree that is left of the logging,” says Pa. “No one wants it because it’s soft.”
“It’s a big tree, with broad leaves,” he keeps saying, as if, until now, he is still amazed by its uselessness. “It’s not durable and it’s not good for furniture,” blurts out Ma, who thinks I merely want a nice bookstand for the books we carried home in a jutesack.
So, I stand there, too stunned to say a word, unsure whether to feel glad or sad, about the lone tree that is left standing because people couldn’t find any use for it.
When my father arrived in this part of Davao from his hometown in Capiz in one of the islands of the Visayas, the forest that would later turn into his copra farm in Upper B’la had been teeming with Laua-ans. Later, these magnificent trees that littered the land for hundreds of years were cut and fed to the sawmills by logging concessionaires who had stripped the land of trees for lumber.
“Over a hundred Laua-ans in every hectare of land,” Pa estimates. “Trunks as big as drums," he says, "Maybe, even bigger. So tall, you have to cut them down many times to make them easier to handle.”
I find it hard to grasp the tragedy that had befallen the forest.
Afterwards, when the land was stripped bare, settlers like my Pa began buying parcels after parcels of land from the Bagobos, and planted them with crops. This is ironic because the Bagobos, whose ancestral land covers much of the Mt. Apo areas that stretch from what is known today as Davao city's Toril district down to the boundaries of North Cotabato, never used to believe in that foreign concept called land ownership.
“They’d sell the land, then, move deeper into the forest,” says my Pa, who thought that the sale of the land was as real as the buy and sell of goods in the market. He bought one parcel from Ayok, Bagobo. He bought another parcel from another Bagobo named Bansalan, and so on.
Again, I was too stunned to say a word, as I try to grasp the complexity of what happened: the betrayal, even the sell-out, of some members of the tribe of their own ancestral beliefs just to extract a measly sum from the equally unsuspecting (albeit ignorant) settlers.
For according to the Bagobo’s worldview, the land is not for sale.
For a Bagobo wise man, it actually sounds stupid and hilarious for a man to claim ownership of a piece of land.
“How could you claim to own the land?” I remember an old Matigsalug Datu named Salumay, explain to me the worldview shared by most indigenous tribes in Mindanao.
"Long after you die, the land remains," said Datu Salumay, “So, how can you be in a position to own something that outlasts you for over a hundred years?”
He used to live in Davao’s Marilog district before he passed away a few years back. Now, I wonder if there are still enough Bagobos who still think like Datu Salumay.
For the coming in of settlers from the Visayas and Luzon had saturated the population of the Moros and the indigenous peoples of Mindanao and had brought about the dying of a totally different culture. Later, wholesale destruction of dipterocarp forests after the World War 2, coincided with the huge demand for lumber exports to Japan and other markets. At the time, the Parity Rights agreement between my country and the United States, had accorded equal rights to Americans and Filipinos in the exploitation of the Philippine forests and other natural resources.
Pa, who arrived in Upper B'la about a decade after the signing of the Parity Rights, gives me a vivid picture of how it was to live in the time of the logging.
“There were no chainsaws, then,” he says, as if to stress a point. “People used axe and the curtador.”
He leads me out of our house in B’la to show me what the curtador (cutter) looks like. As I stand there, trying to reconstruct the devastating event, I can feel my hair bristle, as I watch him draw out the instrument, bequeathed to him by the former cutters, that had once ravaged whole forests.
All that I wanted that morning was a pleasant conversation with my Pa. But I ended up hearing about the wholesale destruction of the land teeming with Guihos, Apitongs, Narras, Dao, Tugas, and other trees, the likes of which, I may not see anymore.

Butuan Sunset

Letter to Malu Fernandez

Business Mirror's editor-in-chief Lourdes M. Fernandez tells the stories of our kababayan.

Goodbye, Grace Paley!

Tonight, the gibbous---no, it's the full moon!---is waxing outside my window when I read about the passing of Grace Paley, five days late. But it's no goodbye to Grace Paley for me.
That broom that she wrote in "An Interest in Life" is forever etched in my memory because it was a broom I knew.
"My husband gave me a broom one Christmas," Virginia, her character, began. "This wasn't right. No one can tell me it was meant kindly."
No one can tell me pointblank, whether life for a woman is really meant kindly. Until writers like Grace Paley started pouring ink onto the pages and spelling out what I was only made to guess at age 33.

Argao's Old Belfry

What did awardwinning writer Ninotchka Rosca say about belfries in her most recent book, "Sugar and Salt," which had Tandang Sora, her heroine, "giving away tidbits of Philippine women's history as 'gifts' to her family and relatives before dying?"
Tandang Sora talked of the Spanish friars trying to convince the natives they called indios, referring to us, instead of the group of people that we actually call bombays, to "build belfries to guard men's bodies and cathedrals to guard men's souls."
The belfries were supposed to "warn the people against pirates and the cathedrals, to warn people against sin." I found Ninotchka's "Sugar and Salt" inside the National Bookstore at Davao city's Gmall after some weekend staring at old cathedrals and belfries in Cebu and remembering how, in the year 2000, I had dragged seven year old Karl from Silliman university elementary school to the old cathedral in Dumaguete and together, we clambered up the belfry to stare at its huge bell.
I remember how my little boy stared at the old bell, with his mouth open, as I marveled at the date etched on one of the walls. Then, when I was about to move further up, I caught sight of abandoned souls sleeping on the dusty floor.
I did not climb the belltower in Argao on the few moments that I managed to escape the city in July to spend some moments there. I did not have the seven-year-old-turned-14, nor his younger brother, to drag along with me.
So, I watched the tower from a distance, noting how the sun struck and cast shadows on its stone walls. Except for one or two devotees who came to light candles, the whole place often looked deserted the few times I was around.

Kadayawan sa Dabaw!

Reminders

Every step of the way, everything that I see reminds me of my boys. A friend talking of her 14-year-old daughter makes me long for my own 14-year-old Karl, living in a topsy-turvy room with another boy and his guitar, 500 hundred kilometers away from me. Just thinking of him talking to people I don't even know makes me feel very uneasy. The chocolate cake that Che and I just tasted reminds me of Sean, 6. So are the sight of apples along the sidewalks, the pistacchios and cashews on the store windows, the smell of towels, the sight of children, teachers and the fact that I am not doing the groceries anymore.
I don't look up when I hear fathers comparing notes about their kids, even if I hear from them the echoes of what JA used to say: "This boy would never come to me when his mother is around. I don't know what she has that I don't have," says one father. At times, I catch an officemate saying she would rather hang herself the moment she could no longer live with her kids.
But I have killed myself long ago. Every time I turn that corner near The Venue on my way to the Gmall, I long to open my heart to strangers, to show how deep it is bleeding. But a heart is not something you could "unbutton" in the middle of the street, so, I keep on plodding, while everything inside me, disintegrates. I am now a living dead.

No Exit

"Do people ever sleep there?" the taxi driver asked, pointing to the boxlike structure where I came from. "That building has always been alive until morning," he observed.
"The newspaper never sleeps," I said, explaining. At that hour, the production people were  still about to take their turn printing tomorrow's newspaper. The editors--I work as a copy editor, so, me included-- had just closed and approved the pages.  They had to see to it that they were there when they the page closed to ensure that everything that came out passed under editorial scrutiny.
"But people need sleep," he said. "Who goes there in the morning?"
"After the production people finish printing," I continued, "The newsboys come in at dawn to get the papers and deliver them to the newsstands. Sometimes, they also deliver the papers right at the subscribers' doorsteps. At eight, the business and advertising people come. So, are other office workers, like the editorial assistants, in the newsroom. The day desk editors also come in to see to it that reporters pursue the latest news stories for the day. In the afternoon and towards the evening, the reporters start trickling in to write their stories. Then, afterwards, it's editing time all over again."
It was already half past 12 in the morning when I talked to the taxi driver on my way home. Late in the morning, I went to the laundromat and watched the washing machine, and then, the dryer, spin. "The newspaper is one huge machine," I couldn't help mumbling.
The man running the laundromat who kept asking where I worked, looked up.
"Well, I work for a huge machine that never stops churning," I said, and marveled at the irony of my words. I thought, "I don't think I could ever serve a machine, no matter how big."
Then, I started dreaming of going to a far flung place where no machine could ever reach me. Instead, I conjured images of the remote mountains of Mindanao, where the machines were more deadly. People getting killed by another type of machines---the machine guns--right in the places where they lived.
With the Human Security Act, policies that cater to the World Bank and the global capitalist system, debt servicing, the deregulation of everything, privatization even of health services and more, even governments can be deadly killer machines.
Societies, civilisation  are machines that demand subjection from everyone within reach. Even the groups fighting for change have to invent their own "machine." 
Probably, in this life, there's no escaping from the rule of the machine. But isn't it terribly sad?

Death in the Newsroom

"It's a masculine newsroom," I confessed to Anton at the rooftop canteen, delighting upon the fact that I was able to point out the cause of the "strangeness" I've been feeling about the place. Anton crossed his eyes in disbelief. He was quick to retort. "Whaaat?!" he said. "There are more women in that newsroom!"
"That doesn't necessarily follow." How could I explain, how could I picture a female newsroom to someone, who has never seen, never experienced, and perhaps, could never believe it can exist? "Journalism, itself, is a masculine profession," I said. Most often, when they're not very careful, unsuspecting women who venture into the profession are often trained or are forced to think like men. Anton opened his mouth and said, again, "Whaaaa?!"
There might already be some headway made by some women somewhere, but right here and now, in this country, in this world where I live in, the institutionalized mainstream press is still pathetically masculine, made for the purpose of perpetrating the rule of the patriarchal culture, or, to serve the male-controlled commerce and industries.
The closest image I have of female-ness is Amy, in one of those meetings, when she fleets from one subject to another, turning the discussion into a crazy patchwork of life and anecdotes. You can feel right there and then, that each story that gets inserted is a living thing that has a potential to grow. So that the meeting can turn into a crazy whirl that can easily spin and confuse an average male, obsessed with rule and order. Yet, I've always felt richer and fuller after those meetings, because of the glimpses of life they offered. They allowed your imagination to run wild and your creativity to grow untrammeled. Don't talk about imagination in a masculine newsroom. Men are afraid of wild women and of minds allowed to roam free. Women spell trouble for men. In the Middle Ages, they labeled these women as witches and burned them at the stake so that inside the newsrooms of today, women would no longer know what innate power and magic they've got. They could no longer recognize who they are.

My Changing Landscape

My landscape has been changing so fast the last few days. First, I remember taking a snapshot of davaotoday at the two-story YMCA building in Davao at the back of The Venue. Now, as I climb up the Cebu Daily News' rooftop canteen to eat, I can't believe I'm being greeted by the sight of cranes and containers being loaded at the Maersk container port! Last night, I climbed up here at six o'clock and I actually saw all those lighted cranes at work! What would Ja say if he'd find out I'm closely living close to Maersk?! He has been in love with Maersk for a long time. He has been in love with all container ports for that matter. Cargo boats and cranes and container vans litter his adult dreams. His love has been so deadly and fatal that it has driven us out of our rented house in Matina! Maersk, of course, had delivered his shipment of bananas to Vladivostok! But sometimes, luck is in short supply. Sometimes, the yellow corn from Bulgaria also get stranded in the Black Sea on their way to Vietnam. So, we are cast homeless. Now, I can't believe I'm actually staring at the pile of Maersk containers at the port! Sighing and turning around, I see on the opposite end, far off Nivel Hills, where Marco Polo Plaza beckons! This is a totally different landscape!

Trying Out

In the last 10 days, I've been trying a hand on some editing works inside the newsroom of Cebu Daily News. The work stretches from the three o'clock story conference---when the editors decide on the headlines and stories of the day and give page assignments---to deep hours in the night when the editors finally put the paper to bed. On the first days I was here, I was bowling with laughter from the police stories assigned to me because they were---tragic, comic and absurd! They were also the toughest works to edit. After the first days (urrhm, nights), I discovered the benefits of coffee but I fought the urge to draw out a stick of cigarette. My cigarette memories are still with Nico, outside the gate of PDI Mindanao bureau where we can watch the Bachelor buses from Butuan passing us by; or with Dasia, whose ashtrays bear the marks of nicotine abuse while we allow our minds to roam. Inside the newsroom, I can't probably allow my mind to roam. I have to fix an eye on the copies and make sure that they stay there. There's not enough time to explore the depth and breadth of things. You have to deliver the finished product before the first rays of the next day.
Over the weekend, I handled a page on a heritage building along Osmena Boulevard. I liked doing it because I wanted to get inside that building--a museum---and take a look inside. Cebu is teeming with those centuries-old Cathedrals and colonial Churches that are remnants of our past. I have the urge to go out and stare at them in the afternoons to summon all the ghosts and understand my future. But what can I do? I'm inside the newsroom!