Things really happen so fast these days, but not really that fast, because I'm sure, I've been given sufficient signs and sufficient warnings of what lays ahead. On May 1, I was asked to go to Taiwan in a spur of the moment and while walking along Chino Roces with Pam before my trip, I had told Pam over and over again I had wanted to go to Butuan to visit my Pa but how can I do it? It's so difficult for me to do it because of something. Did I tell Pam I was not on speaking terms with my sister? Do it, she said. You have to do it. But I can't. I still can't. Why? she asked. Because. Pam said, Do it. I said, maybe, I should talk with my Pa in other ways, through the mind, perhaps, or through dreams because it's very difficult for me to go there, Pa, you know. So, on the eve of June 1 when Eve called, she said I would no longer make it. I booked a ticket to Butuan to catch up with my Pa, who had been bedridden there for about eight months and people said he was waiting for me. When I saw him, I could not almost recognize him. His face had assumed the face of my grandmother, who was so fair and pretty, and his hair has gone long and white. Pa, nia na si Ate, Pa, said Eve from the door. Did I see a flicker of recognition on his closed eyelids?
Oh, if you only knew the weight of those final moments.
Friday, June 16, 2017
Monday, May 22, 2017
Sunday, May 07, 2017
Break the ice, will you?!
I just finished all the four articles from Taipei and sent everything online except the pictures (which I fear I don't have) and so, I am posting this as an ice-breaker. This picture reminds me that I never got to meet some ordinary folks in Taiwan when I went there the past six days. Of course, I met some of them at the train station when we were heading to Hsinchu, a city about an hour south of Taipei; or, maybe, even our Mofa friend Jack Li, who accompanied us throughout the tour; that is, if he considered himself just like another Taiwanese. But all I can think of were those folks at the train station. They were seated at the waiting area, some of them might have been pissed off with me for taking lots of pictures, but when I looked at this photograph in my photo file and saw these motorcycle-riding men, I realized that I never really got to meet some people in Taiwan. We were shuttled around from one place to another to meet and interview the Ministers, and on the fifth day, we met the President at the Presidential Palace. Which was not really a good experience for me because I was the only one not wearing a suit. I left it in the Philippines in a hurry to leave Makati. I know that the office will kill me if they learn about this--which they might, when they see our picture with the President. Depending on how you look at it, it might be regarded as a breach of protocol, which it is. So, I cringe. I don't want to remember my trip to Taipei because I was the only one not wearing a suit when we met the President, and everyone was wearing their best, but I merely treated it as another day in the office, where I frequently told Lyca, no, it's not important what you wear there as long as your English grammar is perfect. Now, I learned my lesson. What you wear is important, damnit! Maybe, I should not let anyone read this. I should make the font so tiny so that no one could read. This is embarrassing!
Saturday, April 15, 2017
Selfie
Lyca, April and I went to the Century Mall to watch Emma Watson's performance in the Beauty and the Beast but were flustered when we found out the movie house already ran out of tickets. Deeply let down, we ambled about the building, taking as much selfies as we can.
Happy Easter!
Labels:
abandoned,
Carmona,
Easter,
Lady of the Abandoned,
Manila,
Sta Ana Church,
stained glass
Thursday, April 13, 2017
Postpartum reflection
I feel so devastated after that long-distance chat with my boy. It had started well, actually, but towards the end, he had been passing judgment on me quite unfairly about the choices I made in my life, without asking me how and why I made those choices. It hurt terribly. But in retrospect, I realized, who were the people who had been judging me that way and it was not my boy. So, I suspected, he just caught that narrative from someone else, just a whiff of an idea, which germinated and came out of his mouth as his own. That's the trouble with long-distance conversations, you only have such a next-to-nothing chance of getting heard, or having some points clarified, you could not even trace how and why he had said such things. I
can glean from his lines that he had some issues with me, which had never been there before, well, it must have been the fertile ground for that wicked idea from wicked people to germinate. It puzzled me for a while until I realized where he had been to recently. He accused me of so many things, including perhaps, [because this was not said outwardly, but in between lines] blaming me for his difficult childhood. (Sigh). Life, of course, had not really been that easy for both of us and I had really tried to make it easier for him, though, my best was not really that good enough. But I still think I was not to blame. You know who was to blame. How could I ever make people understand when people can't even open their eyes? They're deaf and blind!
So, well-what do you expect? He just came back from a visit to his father, so, are you still surprised? They always blame the women for all the effing wrong that happened to their lives, don't they? Even if it was the women who did all the dirty work for them.
Yet, to hear those things from your own son. I was so disturbed, I did not write anything the whole day. I was just staring in space and closing my eyes to feel which part of my body hurt the most.
So, well-what do you expect? He just came back from a visit to his father, so, are you still surprised? They always blame the women for all the effing wrong that happened to their lives, don't they? Even if it was the women who did all the dirty work for them.
Yet, to hear those things from your own son. I was so disturbed, I did not write anything the whole day. I was just staring in space and closing my eyes to feel which part of my body hurt the most.
Wednesday, April 12, 2017
Open Air Altar
Prayers by the roadside
It's Maundy Thursday, the start of the long Lenten break, which for someone working the kind of work that we do, would be the only long holiday open for us for the rest of the year. That's why, everyone was so excited as we rushed out to help put to bed the newspaper copy last night. Everyone trying his best to keep his cool, to keep his/her mind in focus because the spirit was already rushing out the door, getting inside the elevator in a hurry to get out of the building fast to the life of untrammeled joy and freedom outside.
I merely stayed in my place. I was thinking if I had only bought that ticket, maybe, I would also be rushing home, too. Rushing to the airport to catch the plane to where the heart belongs. But I did not have such a ticket. So, all I have is the long hours of reading and writing open for me for the long weekend.
When I reached our street, it was already 9 pm, and the vehicle I was riding could no longer get inside because the neighbors had already set up tents outside their homes--yes, tents along the roadsides, and I thought, is this another vigil for another funeral? But no. The tent was only for the gathering of people for the prayers to the Jesus of Nazarene, the cross-carrying image of Christ. I was amazed by the people's observance of the Passion here. It also reminds me how, a year ago, back home in B'la, while Pa was struggling with his ailment, and I still languished in bed to recover from the previous night's late sleep, Ja tried to shake me awake because the procession was already passing by the house. He said the procession was an amazing sight, I should see it, I should at least photograph it. "I thought you wanted to be a real, hardnosed photographer? What kind of a photographer are you? You lie there sleeping while a beautiful event passes you by!" I got the mouthful from Ja while I flitted in and out of dreamland.
When I managed to get up, I only caught the tail of the procession at the end of the road, and I saw an open air altar by the roadside. Ja shrugged. But the sight of an open air altar amazed me because it reminded me of the pagan ways. It reminded me of some faraway Greek altars when the world was young. It also reminded me of
the Bagobo altar tambara. I loved that concept of an altar because it lays itself bare and open to the elements. Most of all, it opens itself up to the skies.
I merely stayed in my place. I was thinking if I had only bought that ticket, maybe, I would also be rushing home, too. Rushing to the airport to catch the plane to where the heart belongs. But I did not have such a ticket. So, all I have is the long hours of reading and writing open for me for the long weekend.
When I reached our street, it was already 9 pm, and the vehicle I was riding could no longer get inside because the neighbors had already set up tents outside their homes--yes, tents along the roadsides, and I thought, is this another vigil for another funeral? But no. The tent was only for the gathering of people for the prayers to the Jesus of Nazarene, the cross-carrying image of Christ. I was amazed by the people's observance of the Passion here. It also reminds me how, a year ago, back home in B'la, while Pa was struggling with his ailment, and I still languished in bed to recover from the previous night's late sleep, Ja tried to shake me awake because the procession was already passing by the house. He said the procession was an amazing sight, I should see it, I should at least photograph it. "I thought you wanted to be a real, hardnosed photographer? What kind of a photographer are you? You lie there sleeping while a beautiful event passes you by!" I got the mouthful from Ja while I flitted in and out of dreamland.
When I managed to get up, I only caught the tail of the procession at the end of the road, and I saw an open air altar by the roadside. Ja shrugged. But the sight of an open air altar amazed me because it reminded me of the pagan ways. It reminded me of some faraway Greek altars when the world was young. It also reminded me of
the Bagobo altar tambara. I loved that concept of an altar because it lays itself bare and open to the elements. Most of all, it opens itself up to the skies.
Wednesday, March 15, 2017
Trying to blog
from this blog.
But last Monday, when the screen of the old laptop started to flicker and die, and I could no longer write even a simple journal, I began contemplating the long barren days ahead and decided that the prospect of not writing for a long time was not simply unbearable, it was unacceptable. So, I put my foot down and allowed myself to drift inside the Glorietta to get the cheapest possible laptop that my last sinsilyo can buy.
This was how I managed to return here. I'm still getting used to this new laptop, which keyboard feels strange and unfriendly, the font on the screen still feel rather painful to the eyes.
I think that getting used to this new laptop is just akin to getting used to a new job. Painful at first but later on, you'll get used to it. You still feel so unfamiliar navigating the new territory psychologically as well as physically, at first, but soon, I promise, you'll get used to it. I've already been here for over five months and going.
Back to this new machine: the port of my old card reader, which was still functional in my old laptop, no longer works here, so, I might have to run back to the mall again one of these days to hunt for a new one.
I still long for the familiarity of old things, such us my old laptop, but soon, I'll move on to more exciting things up ahead.
Friday, February 03, 2017
Thinking of the Cats
When I came home last month, I was glad that some cats still
managed to survive without me, thanks to the care of T. I was glad to greet Muffin
when she came home very late from where ever it was in the neighborhood she was
roaming. But it’s only now, when I’m
back here in Makati, that I realized I never really had the chance to go
nearer and talk to the cats.
Muffin, like most of the cats at home, had gone feral,
anyway, so it was not a good idea to cuddle her. The last time I cuddled Muffin,
she bit my hands, thinking perhaps it was part of the play. She wasn’t aware that I was not a cat. But
looking back now, I could have at least talked to Muffin. I could have at least
watched her beautiful eyes, which reminded me of the eyes of a priest or a general, the bright
yellow discs in the midst of a pitch black fur that earned her the moniker, Batman
Cat.
Now, I'm missing her.
My mind was preoccupied with everything on my short stay home. It was full of Upper B’la and its depressing condition.
I was also moping over the loss of Oreo, who failed to return home weeks before my arrival. Titing told me Oreo failed to return home a week before her sister-in-law poisoned Titing’s cat and the cats in the neighborhood. I’m wondering if Oreo happened to wander in their area, as cats often do, and had unwittingly eaten the poisoned food they had prepared.
My mind was preoccupied with everything on my short stay home. It was full of Upper B’la and its depressing condition.
I was also moping over the loss of Oreo, who failed to return home weeks before my arrival. Titing told me Oreo failed to return home a week before her sister-in-law poisoned Titing’s cat and the cats in the neighborhood. I’m wondering if Oreo happened to wander in their area, as cats often do, and had unwittingly eaten the poisoned food they had prepared.
Oreo was a good cat. Three days before Pope Francis arrived
in Manila, some boys had left three kittens at the door of the Inquirer office
in Davao. That afternoon, some “rugby boys” were rounded up by the police and I
was sad because those might be the boys I caught feeding the kittens.
Isn't it the height of cruelty for the police to round up the boys who had the heart to feed the cats? Some school girls from Kapitan Tomas eventually found the cats, and one fetched a carton box to bring them home during dismissal time, but minutes after she was off carrying the carton of cats, we saw an angry woman accompanying her, furiously asking her to put the kittens back to where she picked them up. We saw them at our office door. The angry mother said her daughter cannot keep the cats because she had asthma, but I did not believe her.
Isn't it the height of cruelty for the police to round up the boys who had the heart to feed the cats? Some school girls from Kapitan Tomas eventually found the cats, and one fetched a carton box to bring them home during dismissal time, but minutes after she was off carrying the carton of cats, we saw an angry woman accompanying her, furiously asking her to put the kittens back to where she picked them up. We saw them at our office door. The angry mother said her daughter cannot keep the cats because she had asthma, but I did not believe her.
Three days before Pope Francis talked about mercy and
compassion, I carried the three noisy kittens in a jeepney and realized you can
actually tell the character of people by the way they treat a
cat. A woman who sat beside me, I
eventually learned, had thrown numerous kittens in rivers and across Samal
Island. The young guy across my seat found the kitten yucky though he did not
want to show it. But a skinny, middle aged
man, gently called the cats, Miiing, Miiing.
Among the three cats, the yellow one we later called
HenriMatisse was the survivor, for he voraciously ate the giniling I bought
from the store to feed them; then, the black one we later called Oreo, awoke
from her carton slumber and joined the yellow one. The one who did not take interest in food, and which I initially thought was dying, was the grey kitten we later called
Eponine.
Eponine, who proved to be the most intelligent among the three, did not
survive when he was hit by a slamming door during a Low Pressure Area (LPA)
wind in February 2015. HenriMatisse, the
cutest and the most human among the three, I left alone in B’la at the height
of Pa’s ailment in Davao. I always get
this image of him, sniffing Oreo inside the catbag, trying to help Oreo out. I should have put him inside the bag, too, but I realized he’s been
surviving well in the village, and bringing him along might disrupt the good
adjustment he was having in the place. So, I carried Oreo all the way back to
Davao, where Oreo pissed on my pants when we reached R. Castillo. I never found
HenriMatisse after that and I've been aching for a yellow cat with an L-shaped tail ever since, that cat who once glided the terrace of a neighbor, perked his ears when he saw me, and had bounded the whole neighborhood distance in three leaps when I called his name.
Ja described Oreo as a cat no one could ever love, except me. In fact, it was because Oreo was that kind of
cat that precisely drew her to me. But
Ja was only looking at the color of the cat, which was black, with irregular splotches of yellow in between. The yellow spots above
her eyes made Ja want to get his black pentel pen to cover the spots
with black paint. But Oreo, just like
the other cats, is endowed with grace of movement and an elegance innate to all
cats. She was also full of cat wisdom
and intelligence. She became pregnant months after the Pope’s visit and
triggered a cat population explosion in our struggling household. What was funny and amazing about Oreo was she
never mind feeding three generations of kittens on her breast at the same time, even if her milk was already drying out.
This simple tribute is not enough to describe such a great cat as Oreo.
Thursday, January 12, 2017
To Greet the Rooster!
Labels:
Binondo,
Happy New Year,
herb garden,
Pam's,
Rooster
Happier Times with Muffin
White Abundant Light for Pa
I'm here on the second floor of this crowded fast food chain at a table directly facing the stairway, so that all the customers carrying their food-laden trays had to make eye-contact with me before they turn to the rows of tables to my left and eat in peace. But it's very cozy here, a place conducive to writing (at least, to me), with a white ceiling light beaming directly above me and falling gloriously down upon my table. I plan to spend an hour or two here because I was told we have visitors at home and I don't feel like meeting people now that I'm fiercely craving to write--it's maddening, this desire to write is like demons to be appeased, you have to satisfy them because if you don't, you'd either die, get sick or go mad--but I don't expect anyone who has never experienced that to ever understand.
But the way the light falls upon my notebook page on this table reminds me of the white light at the hospital room where Pa used to spend time during his ailment. That was before the sisters whisked him off to Butuan with Ma.
It was the largest and the most comfortable room in our hometown hospital, designed by a renowned architect who was the owner's son, with windows from floor to ceiling, and overlooking McArthur highway, where you can see buses, trucks and jeepneys on their way to Davao or Cotabato or the smaller towns in between.
The room, if you'd care to know, does not make you think of a hospital at all, with its abundance of light, and its plenitude of space, its tasteful curtains, which you can whisk away if you want to see the view, or whisk back if you don't, because you prefer the subdued light that can make you rest and relax.
The nurses, when they find you, are not as snotty there as they might be in the other rooms; they might even be a lot friendlier! Pa and Ma and I were sitting there, looking out as we awaited the sisters coming home from Butuan the day Pa's ailment seemed to be at its worst and Pa, who was suddenly amiable and meek as a child, had been calling the name of his mother, in between moans of pain, in between the state of waking and unwaking.
But the way the light falls upon my notebook page on this table reminds me of the white light at the hospital room where Pa used to spend time during his ailment. That was before the sisters whisked him off to Butuan with Ma.
It was the largest and the most comfortable room in our hometown hospital, designed by a renowned architect who was the owner's son, with windows from floor to ceiling, and overlooking McArthur highway, where you can see buses, trucks and jeepneys on their way to Davao or Cotabato or the smaller towns in between.
The room, if you'd care to know, does not make you think of a hospital at all, with its abundance of light, and its plenitude of space, its tasteful curtains, which you can whisk away if you want to see the view, or whisk back if you don't, because you prefer the subdued light that can make you rest and relax.
The nurses, when they find you, are not as snotty there as they might be in the other rooms; they might even be a lot friendlier! Pa and Ma and I were sitting there, looking out as we awaited the sisters coming home from Butuan the day Pa's ailment seemed to be at its worst and Pa, who was suddenly amiable and meek as a child, had been calling the name of his mother, in between moans of pain, in between the state of waking and unwaking.
Tuesday, January 10, 2017
Like Life Itself
It's the stairway I climb everyday. Just like life itself, it goes round and round and round in a never ending spiral.
Yet, every time I climb it in the morning, I don't actually see it the way I'm seeing it now. In the morning, I take it only one step at a time. All I see are the nearest steps before me, and the rails leading me to a slowly curving ascent, so slight and so gradual that I almost could not feel it. It's only upon looking down from the nth floor above that I get a glimpse of its shape below. Just like the series of days and nights that eventually form the seasons, and the seasons that gather into a year and the years that eventually form a lifetime, we hardly perceive them at first until we've gone a long way and we start looking back.
Yet, every time I climb it in the morning, I don't actually see it the way I'm seeing it now. In the morning, I take it only one step at a time. All I see are the nearest steps before me, and the rails leading me to a slowly curving ascent, so slight and so gradual that I almost could not feel it. It's only upon looking down from the nth floor above that I get a glimpse of its shape below. Just like the series of days and nights that eventually form the seasons, and the seasons that gather into a year and the years that eventually form a lifetime, we hardly perceive them at first until we've gone a long way and we start looking back.
Labels:
building,
Chino Roces,
Makati,
newsroom,
spiral staircase,
staircase
Friday, December 30, 2016
Dawn Mass
On the first day of the Misa de Gallo, I succeeded in dragging Nanay V. to hear the dawn mass at the Santa Ana church, which was quite far, but not too far from where we live in Makati. It was still dark when we arrived. The mass had not started yet but most of the seats in front, where I can get an almost magical view of the altar, were already occupied. Nanay dragged me to one of the last remaining seats at the back, where we managed to sneak our not so tiny bodies in a crowded pew. The church, old as it is, is rather small by modern standard, but look at its design and architecture! Think about how, at the height of the bombardment in Manila in the second world war, a mass of people had once flocked into this church to seek refuge. Outside, the statue of the Lady of the Abandoned beckoned.
How I came to live here and knew about this church was a series of serendipitous encounters. In 2011, I came upon a Palanca-winning essay about life in an old horserace track before the property owner finally caved in to the pressures of development. I set aside that essay for a while and moved on with my life until late this year, when I was called to work here. Trying to figure out where and how I'd live, I traced the map with my fingers, ignoring Ja's voice behind me telling me I'd be living very near the old race track in Makati. Ja used to know the capital like the palm of his hand. Long after I arrived and already sleeping in my room, I can still hear Ja's voice faintly reverberating in my ears but I continued to ignore it.
Until one day, diligently thumbing through the stories in the Arts and Letters section, I was drawn to a particular story which had caught my eye. It was a book of the author who wrote about the old race track! I started reading and came upon the old church on the Old Panaderos Street.
Days later, I came to meet an old timer who, as a young journalist, used to haunt the old race track for stories and who personally knew the writer of the old race track herself!
We had dinner at the Makati Circuit, site of the old race track! Sometimes, when I think about these serendipitous encounters, I feel some magical forces working. I did not come here entirely on my own.
How I came to live here and knew about this church was a series of serendipitous encounters. In 2011, I came upon a Palanca-winning essay about life in an old horserace track before the property owner finally caved in to the pressures of development. I set aside that essay for a while and moved on with my life until late this year, when I was called to work here. Trying to figure out where and how I'd live, I traced the map with my fingers, ignoring Ja's voice behind me telling me I'd be living very near the old race track in Makati. Ja used to know the capital like the palm of his hand. Long after I arrived and already sleeping in my room, I can still hear Ja's voice faintly reverberating in my ears but I continued to ignore it.
Until one day, diligently thumbing through the stories in the Arts and Letters section, I was drawn to a particular story which had caught my eye. It was a book of the author who wrote about the old race track! I started reading and came upon the old church on the Old Panaderos Street.
Days later, I came to meet an old timer who, as a young journalist, used to haunt the old race track for stories and who personally knew the writer of the old race track herself!
We had dinner at the Makati Circuit, site of the old race track! Sometimes, when I think about these serendipitous encounters, I feel some magical forces working. I did not come here entirely on my own.
Labels:
Cathedral,
Misa de Gallo,
Old Manila,
Sta Ana Church
Monday, November 28, 2016
Grieving over my SLR D5200
In deep anguish, I asked Ja why do people who are so uncaring, so loose, so irresponsible, who never gave their cameras a shit because they were always out there having a drink or chasing their reluctant lovers, these kind of people, why were they spared? Why did it have to be my camera that the little devil had
to pick up and hurl over his sister? I
have taken cared of it since I had it in my hands. I have always protected it, though, in this room, there was hardly any space for me; no space at all for anything so precious. For it was the not just a camera
to me, it was a window to the world. I used it to capture Life, which was
often drab and dull and full of insurmountable odds. Life became more bearable because of it.
But why did it have to be destroyed? And in such an absurd way? By a stupid kid who just barged into our room, thinking our room was a playground, and in the usual spat with his sister, suddenly climbed up to my deck and hurled my equipment to her?
"It’s one of life’s greatest ironies," Ja replied. "It makes me seethe with fury," he added, to comfort me.
But why did it have to be destroyed? And in such an absurd way? By a stupid kid who just barged into our room, thinking our room was a playground, and in the usual spat with his sister, suddenly climbed up to my deck and hurled my equipment to her?
"It’s one of life’s greatest ironies," Ja replied. "It makes me seethe with fury," he added, to comfort me.
Still, I’m bringing this question to God. Why does it have to be me? Why?!
Tuesday, November 22, 2016
Dear Karl and Sean
I'm in the city of stone carabaos. I realized this as soon as I saw the beautiful creatures lining here in front of me, black as charcoal, not the muddy black of real carabaos we passed by the rice fields in Kialeg, but dark-night black, the whole clan of them, from baby carabaos to mother carabaos, artistically rendered, slim and shapely and in style in a garden fronting the bookstore, where I walked a good seven kilometers to find. Walking for me here is an art of reclaiming the space I have lost, and the sight of stone carabaos reminds me of the flock I once had a glimpse of, as I was passing by Liguasan Marsh on my way home from a coverage. I saw a flock of 10 to 20 of them, all working carabaos and all of the same size, looking small against the expanse of the Marsh landscape. It was the peak of the planting season and the scene was something that Ja would have described as a David Lean's rendition of a landscape. I was in a bus. I haven't seen a flock of carabaos that many occupying the same landscape before, that's why, it fascinated me.
In the rice fields of Kialeg, only one or two carabaos can be seen at a given time, no matter how the town boasts of itself as the province's rice granary. But we, too, do not live in Kialeg. We are just passing by, no matter how much I call it my home.
As a journalist, the Marsh has fascinated me in both its scale and its vastness; and although it may not have known me, I feel the Marsh is part of me because it is part of the entire landscape I call my home. I will always be attuned to its ramblings.
Here, the stone carabaos stand un-moving for hours, even as the gardener turns on the sprinklers to water the rosemary, the tarragons and the grasses around their unfeeling hooves. I remember the herbs I planted at home and the angle of light by the window which always made me want to read. I think of the cats, and the space I left behind. I think of you.
In the rice fields of Kialeg, only one or two carabaos can be seen at a given time, no matter how the town boasts of itself as the province's rice granary. But we, too, do not live in Kialeg. We are just passing by, no matter how much I call it my home.
As a journalist, the Marsh has fascinated me in both its scale and its vastness; and although it may not have known me, I feel the Marsh is part of me because it is part of the entire landscape I call my home. I will always be attuned to its ramblings.
Here, the stone carabaos stand un-moving for hours, even as the gardener turns on the sprinklers to water the rosemary, the tarragons and the grasses around their unfeeling hooves. I remember the herbs I planted at home and the angle of light by the window which always made me want to read. I think of the cats, and the space I left behind. I think of you.
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