March 18, 2015. Fourteen years ago today, when everyone else was preparing to leave graduate school, I entered Silliman University Medical Center at 1 pm, gladly and fearfully, expecting your birth. I was glad because finally I would be meeting you, not just any other child any mother can give birth to, but the special subject of the personal essay, “Letter to the Womb: Writing and re-Writing Woman in the Literary Text,” I submitted for the final exams of our Contemporary Criticism class under Dr. Ceres Pioquinto. The idea came to me out of the blue, after the realization that on the verge of childbirth, I could no longer think in a clear, linear and logical way but in swirling, maddeningly spiraling fashion; and so, to suit this particular frame of mind, I abandoned the methodical way most scholars used to write their “scholarly” texts and wrote instead a personal essay addressed to you, Best Beloved, applying the critical literary theories I learned by heart.
And so, in a gist, this was how you came into this world, Gloria Steinem spewing words on the TV screen in between my throes of labor, making the pain slightly bearable, Kuya Karl watching at the hospital lobby, as my stretcher rolled by; and Ja, your Dad, trading jokes with the nurses in a voice grating to my ears.
Now, I can’t believe it’s been 14 years; and I'm slightly disoriented. Where is that toddler who used to grab my books every time I attempted to read? Where is the one who tirelessly climbed over my body? Where is the tireless watcher, who used to monitor the hands of the clock inside the newsroom, who used to tell me, Ma, the sky has turned black outside, are we not going home?! What a delight to have you! Happy 14th year, Sean!
Thursday, March 19, 2015
Wednesday, March 04, 2015
Dear Tea
I remember some years ago as I sat in a veranda facing the road towards Genting Highlands, and someone said, “Good morning, how was your sleep, shall I make you tea? Right, I'll make the right tea for you,” and he disappeared into the charming little kitchen of the hut in Kuala Kubu Baru. That was how I got introduced to Teh Tarik, so sweet, so heady, I thought I could never get over it, in fact, I was crying uncontrollably on the airplane weeks later when it was time to go. I called the Teh Tarik the Malaysian counterpart of the Filipino coffee, which is sweet and creamy, and speaks something about our relationship with either Spain or America; the Malaysians, of course, had their British; and that explains their right-hand-drive cars on the road. I said, we, Filipinos, are coffee drinkers; we rarely drink tea, except when we're sick; and that explains why, traveling by land from Davao to other parts of Mindanao, I always find myself asking the stores in every bus stop for tea, a cup of hot, bitter, sugarless tea, preferably piping hot; because when I travel I endure some discomfort that only the taste of hot bitter tea can ease. But to my dismay, not one of the sarisari stores at the terminals is selling tea. I said, Filipinos are coffee drinkers; some want their coffees pitch black and very strong; some style themselves as real coffee connoisseurs, buying their coffee beans on e-bay from as far as Yemen and developing appropriate drinking rituals to heighten the effect of their every sip. But others like me, want our coffee sweet and creamy, to make us dream and forget the bitterness of life, which in one way or the other is brought about by the convoluted history of its arrival to our shores. But back to you, Tea, you are the love of my life, your benign flavor, your soothing effect, even the sound of the tinkling silver spoon against the dainty cups. I love the shape of teapots, reminding me of some rich godmothers forcing us to take the obligatory afternoon naps. “I have fallen in love with Malaysia,” I once told our Malaysian professor as we inched our way into the jungle called Quiapo, years after Kuala Kubu Baru, hunting for pirated rare DVDs. “I thought you said you fell in love with a Malaysian,” he said. I said, I love the sound of the Malaysian names, it gives me the feeling of deja vu. But it was you, Tea, that I was talking about. I love you, Tea.
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