When I unexpectedly bumped into another long lost friend over the weekend, I noticed that she was bringing along a copy of Andrew Marshall's Time magazine essay, "A Philippine Shame."
"Why on earth are you bringing that?" I asked Ruby Padilla for having missed her all these years, I was in a very jovial mood and was prepared to tease her about anything. But Ruby's answer shocked me.
"Because he was writing about me." I was puzzled because I had read the article earlier but did not see her name on it, so, I looked again and realized that the reason I did not recognize her was because she was using her husband's family name.
"Ruby Sison is waiting for someone to kill her," Marshall wrote in opening his essay. He met Ruby at a Kidapawan cemetery while paying their respects to slain journalist couple George and Maricel Vigo. George and Maricel were killed on their way home in June last year by unidentified assassins, one of the increasing number of journalist killings in the country that until now remain unsolved. For someone who had known Ruby back in our much happier, younger days in Kabacan, the simplicity of the statement struck me like a lightning bolt. The journalism profession is indeed, under attack and any self-respecting journalist could not afford to just sit around while state forces continue their assault on press freedom and freedom of expression, which is supposed to be the hallmark of a working democracy, the basic element in every journalist's quest for truth.
Tuesday, February 20, 2007
Monday, February 19, 2007
Friday, February 16, 2007
Dead Woman Walking
Seven years ago, Ian Fermin Casocot wrote in very plain, simple words what took me years to figure out and too much beating around the bush to put on paper: “Only a dead woman is a happy woman,” he began his essay on women in Contemporary Drama, which made up our final exams in Prof. Philip Van Peele’s graduate class at Silliman University. “Everything in this world works to make woman very unhappy."
Then, he proceeded to name the women characters---all tragic and sad---in Contemporary Drama by numerous playwrights from Ibsen down to Brecht and others to illustrate his point. It’s only now, seven years later, that looking through myself as the closest flesh and blood woman I happen to know, I felt the full impact of Ian’s words. “Why hadn’t I written that?” I had said the first time I heard it read in class seven years ago. “Why hadn’t I seriously thought of that?” I am thinking now, as I---standing in a doorway after slicing tomatoes, grimly realized the truth I am forced to swallow. I wish I could take a glance at that piece of paper again where he had written that essay but I have taken a close look at my life and finally gotten its message: Only a dead woman is a happy woman. A woman who seeks her own happiness will not likely attain it in this life so that a woman who truly and seriously wants to find her happiness has to take solace in Death as her only means to attain it. How true!
Then, he proceeded to name the women characters---all tragic and sad---in Contemporary Drama by numerous playwrights from Ibsen down to Brecht and others to illustrate his point. It’s only now, seven years later, that looking through myself as the closest flesh and blood woman I happen to know, I felt the full impact of Ian’s words. “Why hadn’t I written that?” I had said the first time I heard it read in class seven years ago. “Why hadn’t I seriously thought of that?” I am thinking now, as I---standing in a doorway after slicing tomatoes, grimly realized the truth I am forced to swallow. I wish I could take a glance at that piece of paper again where he had written that essay but I have taken a close look at my life and finally gotten its message: Only a dead woman is a happy woman. A woman who seeks her own happiness will not likely attain it in this life so that a woman who truly and seriously wants to find her happiness has to take solace in Death as her only means to attain it. How true!
Bloody Workshop
Shortly after the New Year, I bumped into a long lost fellow John Bengan at the SM lobby when the mall was about to close and I was already rushing on my way to the door. I heard someone called out my name and when I saw (with delight!) it was John, my first question was, "Did you go to Ava's wedding?"
He shook his head and threw me one of those morose looks that only John can do. "I was alone, I was looking for you," he said. "But I told her I can't come."
I told John that I did not make it. That it was impossible for me to make it. "I wasn't able to tell her," I said, my shoulders slumped. "I was looking for you, too," I blurted out guiltily because I knew that if I really wanted to look for John, I could just have taken a ride to Mintal and ask for him inside the UP Mindanao campus where he is teaching; and knowing too, that if John really wanted to look for me, he could just have gone out of his campus to look for me downtown, where I'd surely be roaming the dirty streets of Davao, scavenging for news.
Back in the summer of 2003, John and I were fellows to the Iligan national writers' workshop, where we met Ava and three others from Luzon and six others from the Visayas and Mindanao. One has to go through a writers' workshop before one can understand how the bond among the fellows develops, but until now, I continued to be amazed by how easily we took to each other after the bloody whipping each of us got from all the writer panelists in that workshop. Of course, we had a hell of an adventure in some waterfall in the outskirts of Iligan but we also enjoyed exploring each other's mind inside our room, we didn't feel it necessary to go out and have a drink.
I could not forget how Ava and I had taken that elevator up to the third? fourth?? floor of Iligan city's Elenita Inn on our last night there. Our works were the last one to be read by the panel (which included the lovable but highly critical Chari Lucero and the equally critical Leoncio Deriada), who were about to make their judgment on our stories.
Inside the elevator I told Ava the sickening feeling we both feel at that moment was the same one you get when you're about to give birth to your second child. You already know how intense the labor and suffering that awaits you for the night, you wish you could run away and get out of there, but how can you get that child out of your body? Then, I heard Ava's thoughts echoing my own. "Why am I made to suffer for attempting to write fiction?" But we went through the ordeals of that passage rite and in my case, did not regret it a little bit.
He shook his head and threw me one of those morose looks that only John can do. "I was alone, I was looking for you," he said. "But I told her I can't come."
I told John that I did not make it. That it was impossible for me to make it. "I wasn't able to tell her," I said, my shoulders slumped. "I was looking for you, too," I blurted out guiltily because I knew that if I really wanted to look for John, I could just have taken a ride to Mintal and ask for him inside the UP Mindanao campus where he is teaching; and knowing too, that if John really wanted to look for me, he could just have gone out of his campus to look for me downtown, where I'd surely be roaming the dirty streets of Davao, scavenging for news.
Back in the summer of 2003, John and I were fellows to the Iligan national writers' workshop, where we met Ava and three others from Luzon and six others from the Visayas and Mindanao. One has to go through a writers' workshop before one can understand how the bond among the fellows develops, but until now, I continued to be amazed by how easily we took to each other after the bloody whipping each of us got from all the writer panelists in that workshop. Of course, we had a hell of an adventure in some waterfall in the outskirts of Iligan but we also enjoyed exploring each other's mind inside our room, we didn't feel it necessary to go out and have a drink.
I could not forget how Ava and I had taken that elevator up to the third? fourth?? floor of Iligan city's Elenita Inn on our last night there. Our works were the last one to be read by the panel (which included the lovable but highly critical Chari Lucero and the equally critical Leoncio Deriada), who were about to make their judgment on our stories.
Inside the elevator I told Ava the sickening feeling we both feel at that moment was the same one you get when you're about to give birth to your second child. You already know how intense the labor and suffering that awaits you for the night, you wish you could run away and get out of there, but how can you get that child out of your body? Then, I heard Ava's thoughts echoing my own. "Why am I made to suffer for attempting to write fiction?" But we went through the ordeals of that passage rite and in my case, did not regret it a little bit.
Thursday, February 15, 2007
Lost and Found
She said she had lost her poems. They were written a long, long, long, long time ago. But recently, she found them on the internet, this one posted by bisayanarsing:
Ginamos ug ang Kinabuhing Daplig-Dagat
ni Che Fiel
Bulanon.
Wa tay mahimo.
Si Nanay nanangpit
Igawas ang garapon
Kay panahon na nga makuhaan
Ang mga bolinaw
Nga usa ka bulan ng giasinan.
Way kuha,
Matud pa ni Tatay
Kay ang mga isda ga iyahay
Sa lapa lapa sa lawud gataguanay.
Nangaon mi tanan
Sa ilalom sa bulan
Pagkahuman nanggawas ang mga silingan -
Ang mga inahan,
Gatapok-tapok sa may pantawan.
Ang mga amahan,
Gatinagayay ug tuba sa may lapyahan
Samtang ang mga bata,
Gapatintero sa basa.
Ug si Nung Tusoy gasugod nag balak
Dinuyugan sa gitara ni Undo nga iyang anak
Samtang ang bulan
Galili sa mga manag-uyab
Nga naggitik-gitik ug gaginukuray
Sa ilalom sa baga nga mga dahon sa Talisay.
Kay ugma kinahanglan na sad maghubang
Para ang pukot unya maandam
Kay sa Kadlawon nga musunod
Ihatud na sad sa mga inahan
Ang tingkarol
Samtang palawig ang mga amahan
Sa mga lawud nga wa pa naadtuan.
Ingon ini akong mahinumduman
Sa dapit nga among giput-an
Lami,
Bisan ginamos among sud-an.
(Si Che usa ka babayeng balaknon. Sa una pirteng latagaw apan karun nahiuli na gyud. Ang iyang binisaya gidalit niya sa iyang kagikan nga anaa nanimuyo karun sa usa ka baryo sa likod sa kinatas-ang bungtod sa Zamboanga Peninsula, ginganlan ug Lumad. Gidalit pud niya ang iyang mga balak sa mga nagkadaiyang pwersa nga karun, sa iyang dughan ug alimpatakan, gasanggka ug gadula.)
Ginamos ug ang Kinabuhing Daplig-Dagat
ni Che Fiel
Bulanon.
Wa tay mahimo.
Si Nanay nanangpit
Igawas ang garapon
Kay panahon na nga makuhaan
Ang mga bolinaw
Nga usa ka bulan ng giasinan.
Way kuha,
Matud pa ni Tatay
Kay ang mga isda ga iyahay
Sa lapa lapa sa lawud gataguanay.
Nangaon mi tanan
Sa ilalom sa bulan
Pagkahuman nanggawas ang mga silingan -
Ang mga inahan,
Gatapok-tapok sa may pantawan.
Ang mga amahan,
Gatinagayay ug tuba sa may lapyahan
Samtang ang mga bata,
Gapatintero sa basa.
Ug si Nung Tusoy gasugod nag balak
Dinuyugan sa gitara ni Undo nga iyang anak
Samtang ang bulan
Galili sa mga manag-uyab
Nga naggitik-gitik ug gaginukuray
Sa ilalom sa baga nga mga dahon sa Talisay.
Kay ugma kinahanglan na sad maghubang
Para ang pukot unya maandam
Kay sa Kadlawon nga musunod
Ihatud na sad sa mga inahan
Ang tingkarol
Samtang palawig ang mga amahan
Sa mga lawud nga wa pa naadtuan.
Ingon ini akong mahinumduman
Sa dapit nga among giput-an
Lami,
Bisan ginamos among sud-an.
(Si Che usa ka babayeng balaknon. Sa una pirteng latagaw apan karun nahiuli na gyud. Ang iyang binisaya gidalit niya sa iyang kagikan nga anaa nanimuyo karun sa usa ka baryo sa likod sa kinatas-ang bungtod sa Zamboanga Peninsula, ginganlan ug Lumad. Gidalit pud niya ang iyang mga balak sa mga nagkadaiyang pwersa nga karun, sa iyang dughan ug alimpatakan, gasanggka ug gadula.)
Wednesday, February 07, 2007
Friday, February 02, 2007
Wednesday, January 31, 2007
Mother, Ever Help Me.
I've been doing quite a number of repetitive, endless chores at home these days that I, numbed and dumbed with fatigue, could no longer write a simple sentence. Perhaps--and even if I don't really believe in it---I should borrow that verse in the Galatians that I once saw hanging on the toilet walls of the old Mindanews's office, something that I would never forget: "We should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired,we should never get tired, we should never get tired, we should never get tired, we should never get tired, we should never get tired, for we shall reap the harvest." I don't really believe in what it says about reaping the harvest. Some other people will surely get the chance to reap whatever harvest there might be, right before our very eyes, even before we could lift a finger, as what's happening every day. But at the time, when I'm numb and dumb with exhaustion, it pays to repeat any phrase even if it doesn't mean anything. It's only now that I begin to understand why the patriarchal Roman Catholic Church invented the Litany of the Blessed Virgin Mary; with its repetitive "Pray for us;" and the Novena of the Mother of Perpetual Help, with its perpetual, "Mother, ever help us."
For the damned women of the past centuries (and now) drowning under the load of heavy, repetitive tasks at home, repeating the phrase, "Mother, ever help us," may spell the difference between madness and sanity.
Tuesday, January 23, 2007
Her Father's Daughter
I am trying to write about her father's daughter except that she's in Manila right now (I imagine--and I'm just imagining this--that she must have left in a huff???), I wouldn't know. I love reading this, though.
Friday, January 19, 2007
An Excuse for not Blogging
The last 20 days, I have been nursing my five year old asthmatic Sean back to health. I keep missing press conferences, coverages and all types of writing assignments just to make sure that he has his share of protein, fresh fruits, vegetables to finally put an end to his reliance on antibiotics and all those medicine. The last 20 days I thought I was successful. In 2006, he got sick every month. He got sick on February 24, 2006, the 10th year anniversary of the People Power Revolution that ousted a dictator and the day that an unpopular President declared the country under a state of emergency and began her crack down on critical press. When everybody was covering stories about the ironic twist of events, I was massaging Sean's back---a thing any mother would normally do.I wasn't complaining, of course. After all, with God's help, I was already starving to death. But in the last 20 days, I thought all my instincts were right. I finally conquered the monster that keep hovering over us in the last three years (his attacks started at the age of two.) I had finally saved him from bad eating habits, fatigue, dust, extreme weather condition, weapons of mass destruction.
The last 20 days, I thought. Until last night when the spasm of coughing was back again and I realized we're back to SQUARE ONE. I thought, when will this finally end???
Tuesday, January 16, 2007
Davao's San Pedro Cathedral
Among the first structures that the early missionaries put up in this place when the (Christian) settlers first arrived in the late 1840s and pushed the heroic Datu Bago deep in the hinterlands of Waan and beyond. The shape of this Cathedral used to puzzle me until recently, when I finally decided it is shaped like a boat. When you happen to stand right at the gate of Camp Domingo Leonor police barracks just across the street, you could almost say, only the masts are missing!By posting it here I don't mean to glorify the spirit of conquest that this Cathedral may stand for (if only to be blunt and honest about it) but only to reflect on that time of the past that hasn't gone away.
As if to straighten out the rough edges of history, some groups who want to make their message clear love to bomb this Cathedral during Davao's most turbulent times, so, until now, as I drop by to light a candle sometimes, I can't help looking around just to see if it's not one of those days again. In the good ol' days of the early 90s, Sunstar reporter Charles Maxey used to love to recount to me how Digong , as what the media like to call Davao city mayor Rodrigo Duterte, had made a 60 year-old man accused of raping his 10 year old granddaughter to walk down San Pedro street to the Cathedral on his knees. I did not see it. I was still with Sunstar Cebu at that time but for Charles, it was a great spectacle that seemed to speak something about him and his people.
Thursday, January 11, 2007
Dark Clouds over Davao Gulf
Can you blame me if this is how the New Year looks to me? After all, the Siberian winds are here, blanketing our days with the cold and damp. Gray clouds and rain-soaked streets dominate the landscape. But did it ever cross our mind that this kind of weather is rather late in coming? This is supposed to come in December but in our most recent December, the heat was terrible. Environmentalists have been pinning the blame on global warming but for some of us, it was more than that. It was a killer weather and it was hardly the Christmas we imagined, at least, for some of us. Those who were afflicted by that overwhelming sadness that tend to visit the poor and the oppressed during the happiest part of the year have succumbed to disease and die. I did not manage to die, though. I merely drifted in and out of consciousness while happy Christmas came and went away. In the afternoon of December 25, I was lucky enough to awaken to see eight messages on my phone, one of them from the most beloved Mandaya Moore, but then, it was too late for a Merry Christmas! Amidst the dark clouds, however, the New Year promises new hope. First, it was the day when five year old Sean finally got well. For refusing to take food for days, he looked gaunt and tired as we reluctantly strained our ears to listen to the proverbial ringing of another year. Karl finally turned 14, despite our absence. Now, as we try to catch up on reading assignments, re-discover a crazy mixture of Harry Potter, Pirates of the Caribbean and Sesame street characters, we begin to nurse a fledgling new hope for the year. Maybe, the grasses will continue to grow afterall.
Monday, January 01, 2007
Saturday, December 09, 2006
The Horse Talks Back!
Suddenly, the road behind me and the road before me has become life itself and I have turned into a horse. I am a beast living at the mercy of your whip, which dictates upon me which way I should go up and down the cliff, left or right, without much choice because I am a beast. You thought you’re free to put all your lousy burdens upon my back, as if it were the most natural thing in the world for you to do. You don’t even stop to think of how much you’ve been depriving me of my nature, when you profit from all my work.
You want to tame the beast in me when my bestiality has always been the best thing in me. All I want is to run wild in the fields, feel the breeze upon my mane, and give back to nature what nature has given me but your whip and your reins are now preventing me. Don’t talk to me about being grateful to High Heavens for creating my beautiful mane when I don’t even own my own body. My whole body is for sale and you’ve been selling me so many times ever since I became a horse. You’ve been selling my labor up and down the cliff to people who can’t even scale a simple cliff with their own feet. For they got money, of course.
My market value, you measure, by how fast I can go over that cliff and back again, by how much load I can carry, by how many other young horses I can bring to the world, by how soon my hooves can bring a lazy man to his home, by how much my little body can take all the burdens and toil and abuses imaginable. All for a piece of paper that I can’t even chew and swallow! Sometimes, just to make more money, you even come up with such an outrageous concept as improving my pedigree!
Sometimes, of course, you loosen your hold of the reins just enough to let me go up this difficult cliff unhampered. But most of the time, I can’t even take a rest in this beautiful landscape to grab something to eat. There are times when I look at my hooves and think how powerful they are compared to your delicate frame. Why did I ever allow you to push and order me around? You, who can’t even give one decent kick to kill a beast, what quirk of fate had put you where you are now to lord me over? And how stupid can I get to allow you to?
You want to tame the beast in me when my bestiality has always been the best thing in me. All I want is to run wild in the fields, feel the breeze upon my mane, and give back to nature what nature has given me but your whip and your reins are now preventing me. Don’t talk to me about being grateful to High Heavens for creating my beautiful mane when I don’t even own my own body. My whole body is for sale and you’ve been selling me so many times ever since I became a horse. You’ve been selling my labor up and down the cliff to people who can’t even scale a simple cliff with their own feet. For they got money, of course.
My market value, you measure, by how fast I can go over that cliff and back again, by how much load I can carry, by how many other young horses I can bring to the world, by how soon my hooves can bring a lazy man to his home, by how much my little body can take all the burdens and toil and abuses imaginable. All for a piece of paper that I can’t even chew and swallow! Sometimes, just to make more money, you even come up with such an outrageous concept as improving my pedigree!
Sometimes, of course, you loosen your hold of the reins just enough to let me go up this difficult cliff unhampered. But most of the time, I can’t even take a rest in this beautiful landscape to grab something to eat. There are times when I look at my hooves and think how powerful they are compared to your delicate frame. Why did I ever allow you to push and order me around? You, who can’t even give one decent kick to kill a beast, what quirk of fate had put you where you are now to lord me over? And how stupid can I get to allow you to?
Sunday, December 03, 2006
Lessons from the Bagobo Horseman
PART THREE
How did a horse get a full grasp of the mathematical formula of gravitation? Or, was it born with an innate understanding of the principles of levity? Yet, as it moves its rider to higher grounds, the horse musters all its strength and speed as if the universal mind has stamped upon its body the intelligence to understand and defy gravity. There’s only the rider and the horse on the way up the cliff. No other world exists; not even the landscape, which at that height, can be so fatally captivating! But a moment’s inattention can prove too dangerous. The rider has to time all her movements with the horse, has to become one with the horse in mind and body. She has to let go of all controls and trust everything to the horse, which at that moment becomes an embodiment of wisdom; allowing her a glimpse of the eternal mystery of life and death in a flash of a second.
How did a horse get a full grasp of the mathematical formula of gravitation? Or, was it born with an innate understanding of the principles of levity? Yet, as it moves its rider to higher grounds, the horse musters all its strength and speed as if the universal mind has stamped upon its body the intelligence to understand and defy gravity. There’s only the rider and the horse on the way up the cliff. No other world exists; not even the landscape, which at that height, can be so fatally captivating! But a moment’s inattention can prove too dangerous. The rider has to time all her movements with the horse, has to become one with the horse in mind and body. She has to let go of all controls and trust everything to the horse, which at that moment becomes an embodiment of wisdom; allowing her a glimpse of the eternal mystery of life and death in a flash of a second.
Tuesday, November 28, 2006
Lessons from the Bagobo Horseman
PART TWO
STRICTLY NOT FOR SALE:
Horse’s Mane
Made in Heaven, Guaranteed.
As a girl, I grew up on a horse’s back with father’s voice echoing in my ears, warning me never to loosen my hold of the reins, or else the horse will doze off to sleep and stumble on the next pothole. I had set aside father’s warning only once and sure enough, the ancient family horse that we used to love many, many years ago really dozed off to sleep and would have stumbled on a muddy hole if I hadn’t seized the reins on time and awoke it from lethargy. I still keep hearing father’s voice every time I was on horseback but the Bagobo horseman’s horse was no ordinary horse, a four-year-old female beast, never been touched, never been kissed by another horse and endearingly called “Inday” by its master. “You have to let go of the reins now,” Berto, the horseman, says while we were going down a steep incline and the horse’s body unevenly fell and swayed with the sloping ground.
“You mean, really let go??!” I asked, shocked and doubtful.
With what almost felt like wild panic, I surveyed the steep road full of rocks and mud stretching down before us. What if the horse will trip?
I reluctantly let go of the reins, of course. If I can’t trust this beast, just for once, to take me down this very difficult road, I don’t know whom I can trust anymore. My friends have left me—they took the other side of the cliff on foot---and I can’t even trust my knees! On our way to Tudaya, my knees crumbled and lost their strength after we scaled down that deeper ravine at the other side.
But then, was I amazed! The horse just breezed through all those muddy potholes and sharp-angled slabs of stones without tripping---not even once!
The horse is also used to taking orders from its master at our back, as if by remote control. I only found this out when, anxious at how painful the hard rocks must be for the poor beast, I grabbed the reins for a moment and tried to steer the horse away from the rocky track to a soft, grassy patch.
When we almost succeeded at this attempt, I heard the angry grunts of the horseman at our back. “Huh! What kind of beast are you,” the horseman yelled. “There’s a road up ahead and you refuse to take it?! Such a stupid horse! Why go another way?! Go back! Go back!”
Oh, if only the poor beast could talk! I did not tell the horseman that I had caused the trouble!
APPROACHING the foaming waters at the bottom of the ravine and the other side of the cliff looming before us, the horseman talked to me again for another set of instructions. “When we’re going up the hill, clutch at this,” he says fingering the horse’s rich, untrammeled mane, “This is made precisely for the purpose.”
Doubtfully, I looked at the beast’s mane and considered what the horseman said. Then, I tried to pull my hair, just to see if it doesn’t hurt. But of course, it hurts! Wincing at the horseman’s cruelty, I resolved to be gentle with the horse. But as we started our ascent and the horse gathered momentum for the climb, I never had any other choice but to grab thick clumps of its mane to keep myself from falling. At first, I did it with one hand (for my other hand was holding a hat) but when the horse started trotting over the huge slabs of stones, I threw away the hat to clutch at the horse’s mane with both hands. Boy-oh-boy, how I hang on desperately for dear life! How I thanked God's Great Heavens at that moment for having the wisdom and the foresight to create the horse’s mane long before I needed it!
The moment after that was probably the most difficult and the most dangerous part of the climb but it also brought instant illumination to my muddled mind. I felt as if the universe compressed all the wisdom worth knowing in a lifetime and delivered it to me on the horse’s back. (TO BE CONTINUED)
STRICTLY NOT FOR SALE:
Horse’s Mane
Made in Heaven, Guaranteed.
As a girl, I grew up on a horse’s back with father’s voice echoing in my ears, warning me never to loosen my hold of the reins, or else the horse will doze off to sleep and stumble on the next pothole. I had set aside father’s warning only once and sure enough, the ancient family horse that we used to love many, many years ago really dozed off to sleep and would have stumbled on a muddy hole if I hadn’t seized the reins on time and awoke it from lethargy. I still keep hearing father’s voice every time I was on horseback but the Bagobo horseman’s horse was no ordinary horse, a four-year-old female beast, never been touched, never been kissed by another horse and endearingly called “Inday” by its master. “You have to let go of the reins now,” Berto, the horseman, says while we were going down a steep incline and the horse’s body unevenly fell and swayed with the sloping ground. “You mean, really let go??!” I asked, shocked and doubtful.
With what almost felt like wild panic, I surveyed the steep road full of rocks and mud stretching down before us. What if the horse will trip?
I reluctantly let go of the reins, of course. If I can’t trust this beast, just for once, to take me down this very difficult road, I don’t know whom I can trust anymore. My friends have left me—they took the other side of the cliff on foot---and I can’t even trust my knees! On our way to Tudaya, my knees crumbled and lost their strength after we scaled down that deeper ravine at the other side.
But then, was I amazed! The horse just breezed through all those muddy potholes and sharp-angled slabs of stones without tripping---not even once!
The horse is also used to taking orders from its master at our back, as if by remote control. I only found this out when, anxious at how painful the hard rocks must be for the poor beast, I grabbed the reins for a moment and tried to steer the horse away from the rocky track to a soft, grassy patch.
When we almost succeeded at this attempt, I heard the angry grunts of the horseman at our back. “Huh! What kind of beast are you,” the horseman yelled. “There’s a road up ahead and you refuse to take it?! Such a stupid horse! Why go another way?! Go back! Go back!”
Oh, if only the poor beast could talk! I did not tell the horseman that I had caused the trouble!
APPROACHING the foaming waters at the bottom of the ravine and the other side of the cliff looming before us, the horseman talked to me again for another set of instructions. “When we’re going up the hill, clutch at this,” he says fingering the horse’s rich, untrammeled mane, “This is made precisely for the purpose.”
Doubtfully, I looked at the beast’s mane and considered what the horseman said. Then, I tried to pull my hair, just to see if it doesn’t hurt. But of course, it hurts! Wincing at the horseman’s cruelty, I resolved to be gentle with the horse. But as we started our ascent and the horse gathered momentum for the climb, I never had any other choice but to grab thick clumps of its mane to keep myself from falling. At first, I did it with one hand (for my other hand was holding a hat) but when the horse started trotting over the huge slabs of stones, I threw away the hat to clutch at the horse’s mane with both hands. Boy-oh-boy, how I hang on desperately for dear life! How I thanked God's Great Heavens at that moment for having the wisdom and the foresight to create the horse’s mane long before I needed it!
The moment after that was probably the most difficult and the most dangerous part of the climb but it also brought instant illumination to my muddled mind. I felt as if the universe compressed all the wisdom worth knowing in a lifetime and delivered it to me on the horse’s back. (TO BE CONTINUED)
Thursday, November 23, 2006
Lessons from a Bagobo Horseman
PART ONE
Just a few hours ago, I learned that during life's most precarious moment, no one is coming to your aid. Except for the advise of a wise horseman, you're on your own. Alone.
I was on horseback for the first time in years, looking down a deep ravine where foaming rapids takes its course more than a hundred feet or so below. The road we were about to negotiate was full of slippery granite stones and muddy craters formed by hooves of horses that have been treading this route before. The only other way out of Tudaya---a hinterland sitio of Santa Cruz town barangay of Sibulan where the Bagobo-Tagabawas live, was through a kilometer climb of another (and deeper) ravine at the other side, a route that was bad for uninitiated knees like mine.
So, I looked down again upon the promise of the road below me, a panorama so beautiful it can make you cry, but my eyes instead took in the image of the cliff precariously hanging near its slippery edge.
"Will I ever get out of here alive?" I asked myself but as I did so, the horse had sunk its left hoof in a soft bed of mud, lurching its body forward so suddenly that it briefly threw me out of balance. I shrieked.
"Hold on! Hold on--and don't ever jump!" said the horseman behind me, with a stiff authority of a scoutmaster. "Jumping off a horseback is a dangerous thing!"
He is a Bagobo-Tagabawa, but his Bisaya is good enough. He is such a small man, one could easily mistake him for a child, but his eight year old son is walking along beside him and so does his 10 year old daughter while he carries my backpack to allow me to concentrate. He said my load is much lighter than the 12 kilos he used to carry for Mt. Apo mountaineers."Always remember," he said, as the horse reaches the grassy spaces in between the boulders, "When negotiating with steep roads like this one, carry your body opposite the slope's direction. That will keep the balance. Then, if the horse makes sudden movement, just hold on, everything will turn out right. Unless the horse's body already lies crumpled on the ground, don't jump. Jumping off the horse back while the horse is negotiating a difficult trail is dangerous."
"Allow the horse freedom to make decisions. The beast is familiar with the trail and knows what to do better than you do. Keep the rein just to keep it from jumping off the cliff but reining it in most of the time, will limit its freedom of movement, hence, impedes its progress. (TO BE CONTINUED)
Just a few hours ago, I learned that during life's most precarious moment, no one is coming to your aid. Except for the advise of a wise horseman, you're on your own. Alone.I was on horseback for the first time in years, looking down a deep ravine where foaming rapids takes its course more than a hundred feet or so below. The road we were about to negotiate was full of slippery granite stones and muddy craters formed by hooves of horses that have been treading this route before. The only other way out of Tudaya---a hinterland sitio of Santa Cruz town barangay of Sibulan where the Bagobo-Tagabawas live, was through a kilometer climb of another (and deeper) ravine at the other side, a route that was bad for uninitiated knees like mine.
So, I looked down again upon the promise of the road below me, a panorama so beautiful it can make you cry, but my eyes instead took in the image of the cliff precariously hanging near its slippery edge.
"Will I ever get out of here alive?" I asked myself but as I did so, the horse had sunk its left hoof in a soft bed of mud, lurching its body forward so suddenly that it briefly threw me out of balance. I shrieked.
"Hold on! Hold on--and don't ever jump!" said the horseman behind me, with a stiff authority of a scoutmaster. "Jumping off a horseback is a dangerous thing!"
He is a Bagobo-Tagabawa, but his Bisaya is good enough. He is such a small man, one could easily mistake him for a child, but his eight year old son is walking along beside him and so does his 10 year old daughter while he carries my backpack to allow me to concentrate. He said my load is much lighter than the 12 kilos he used to carry for Mt. Apo mountaineers."Always remember," he said, as the horse reaches the grassy spaces in between the boulders, "When negotiating with steep roads like this one, carry your body opposite the slope's direction. That will keep the balance. Then, if the horse makes sudden movement, just hold on, everything will turn out right. Unless the horse's body already lies crumpled on the ground, don't jump. Jumping off the horse back while the horse is negotiating a difficult trail is dangerous."
"Allow the horse freedom to make decisions. The beast is familiar with the trail and knows what to do better than you do. Keep the rein just to keep it from jumping off the cliff but reining it in most of the time, will limit its freedom of movement, hence, impedes its progress. (TO BE CONTINUED)
Friday, October 27, 2006
Now, Back to Work!
B'la is a fictional place that doesn't exist only in the imagination. It exists in the minds of people who once lived or have always been living there even if they're no longer there physically.
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